The Falling Girl Short Story Analysis - amazonia.fiocruz.br

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The Falling Girl Short Story Analysis	The Art & Business of Making Games. Video game industry news, developer blogs, and features delivered daily. In a literary work, film, story or other narrative, the plot is the sequence of events where each affects the next one through the principle of amazonia.fiocruz.br causal events of a plot can be thought of as a series of events linked by the connector "and so". Plots can vary from the simple—such as in a traditional ballad—to forming complex interwoven structures, with each part sometimes. I remember being 12 years old. I was a girl who didn't so much love the real world, who didn't like people communications. A Little misanthropic girl with attraction to inner worlds. Even then, I had invented my inner world; My own characters, my own storylines, beginnings and endings, love and hate, black, white and even colorful.4/5(K).
The Falling Girl Short Story Analysis	31
The Falling Girl Short Story Analysis	183

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In a literary work, film, story or other narrativethe plot is the sequence of events where each affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector "and Stlry. Plots can vary from the simple—such as in a Gil ballad —to forming complex interwoven structures, with each part sometimes referred to as a subplot or imbroglio. In common usage for example, a "movie plot"however, it The Falling Girl Short Story Analysis mean a narrative summary or story synopsisrather than a specific cause-and-effect sequence. Plot is similar in meaning to the term storyline. English novelist E. Forster described plot as the cause-and-effect relationship between events in a story.

According to Forster, " The king died, and then the queen died, is a story, while The king died, and then the queen died of grief, is a plot. Teri Shaffer Yamada agrees that a plot does not include memorable scenes within a story which do not relate directly to other events but only "major events that move the action in a narrative. Another example of a memorable scene which is not part of the plot occurs in check this out film The Empire Strikes Backwhen Han Solo is frozen in carbonite.

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The first event is causally related to the third event, while the second event, though descriptive, Fallibg not directly impact the outcome. A story orders events from beginning to end in a time sequence. Steve Alcorn, a fiction-writing coach, says that the main plot elements of The Wizard of Oz are easy to find, and include: [8].

A tornado picks up a house and drops it on a witch, a little girl meets some interesting traveling companions, a wizard sends them on a mission, and they melt a witch with a bucket of water. A fabula is the events in the fictional world, whereas a syuzhet is a perspective of those events.

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This definition is usually used in narratology, in parallel with Forster's definition. The fabula story is what happened in chronological order. In contrast, the syuzhet plot means a unique sequence of discourse that was sorted out by the implied author. The Russian formalistViktor Shklovsky Th, viewed the syuzhet as the fabula defamiliarized. Today screenwriters generally combine plot with plot structure into what is called a treatmentsometimes referred to as the three-act structure, in which a film is divided into three acts: the set-upthe confrontation and the resolution. The conception of the three-act structure has been attributed to The Falling Girl Short Story Analysis screenwriter Syd Field who described plot structure in this tripartite way for film analysis.

The Greek philosopher Aristotlewriting in the fourth century BC in his classic book The Poeticsconsidered plot or mythos as the most important element of drama, even more important than character. Analusis tragedythe appropriate emotions are fear and pityemotions which he considers in his Rhetoric.

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Aristotle's work on comedy has not survived. Aristotle goes on to consider whether the tragic character suffers pathosand whether the tragic character commits the error with knowledge of what he is doing. He illustrates this with the question of a tragic character who is about to kill someone in his family. InGustav Freytag, a German writer, advocated a model based upon Aristotle's theory of tragedy. This is now called "Freytag's pyramid," which divides a drama into five parts, and provides function to each part.

These parts are: exposition originally called introductionrising action riseclimax, falling action return Glrl falland denouement catastrophe. The first phase in Freytag's pyramid is the exposition, which introduces the characters, especially the main character, also known as the protagonist. It shows how the characters relate to one another, their goals and motivations, as well as their moral character.]