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Arte is a European cultural channel intended for any television-viewer in Europe, and particularly in France and in Germany, who is curious and open to the world. In order to Platforn the durability of its activities in Europe according to the growing demand from the audience, the European cultural channel is https://amazonia.fiocruz.br/scdp/blog/woman-in-black-character-quotes/quantitative-vs-qualitative-research-on-which-is.php the facilities of its site in Strasbourg to High Definition.

Such a change involves significant material reorganisations, both in terms of production, montage and editing units, and in terms of broadcasting. Whereas most companies work with light files, Arte has decided to go for the AVC-i Mbps MXF OP1b-wrapped format, which enables the teams to have access to the audio details of the file, dealing daily with French, German and original Using Frame Shift As A Platform.

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Workflow and broadcasting in HD and centralised management of the content in a file environment. This PAM deals with material management files, feeds from the press agencies and tapes on the one hand, and filing including a thesaurus function generation and interconnection of keywords on the other hand. The consultation of the content and the task management are carried out through Using Frame Shift As A Platform Web Client and, therefore, are available from https://amazonia.fiocruz.br/scdp/blog/culture-and-selfaeesteem/rtt1.php. One SShift the first steps in the implementation of such a facility is the content digitisation centre, more commonly called centralised ingest platform.

All computer equipment from the editing room and control room 80 clients has been transferred to the mechanical room in order to shorten noise nuisance in those rooms. BCE has set up four types of editing rooms: for the news, the broadcasts, the audio and the effects including colorimetry.

The read article editing rooms are equipped with the Satellite Video System which facilitates operation Using Frame Shift As A Platform separating audio and video during the exchanges and by gathering them automatically for the final version.

Both control rooms, built as before as a resiliency solution, are perfectly adapted to high-precision work. The studio manager has direct access to 22 video channels in order to produce television broadcasts and news. This plurality of the sources is also reinforced from the point of view of the audio engineer who has got access to the main audio router channels and therefore to all the sources signals from the studio, videos, microphones, and voices from the translation system. The redundancy of the rooms is perfect and the passage from one room to another can be done immediately thanks to the KVM system.

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Indeed, the works were carried out while the site was in full operation and our team had to ensure the running of the new systems without disturbing the broadcasting. The installation of the broadcasting facilities has been carried out while the site was in full operation.

Arte having developed its own MAM for the broadcasting, BCE had to integrate the new installations within the existing technology and ensure its symbiosis with third applications. Therefore, the new platform incorporates quality control in terms of audio guarantees conformity with the Loudness R standard and video.

The MAM works with archives. With Arte broadcasting its programs in two languages, subtitling had to allow multilingual management for the German and French channels, which do not share the same schedules. In order to acquire rapidity, Arte now works with content whose audio and video tracks are distinct.]