The Blazing World as Feminist Manifesto - amazonia.fiocruz.br

The Blazing World as Feminist Manifesto

The Blazing World as Feminist Manifesto - simply

Strange is the current emphasis on female trauma in American genre films — as discussed, marketed and highlighted online in the headlines — as if the trauma was not already deeply embedded in the historical fabric of horror films. Of course, at a time when more women filmmakers than ever are given the opportunity to tell their stories, the rise of feminist horror should come as no surprise, especially given the MeToo phenomenon and efforts to destigmatize mental illness. In the bombastic opening scene, blonde twins in matching pink outfits cavort around the lush green exterior of an impressive property. While one of the girls, Margaret, watches her parents fight — a scene that turns into abuse — the other accidentally slips into the pool. We then jump forward in time and see Margaret Young attending college and donning the same blonde bob from adolescence. The repeated image of an arm swimming in a red pool of water suggests her suicidal state. As a kind of grim reaper, he promises to reunite the young woman with her dead sister as soon as she manages to collect several keys that are hidden in different parts of this nightmare world. For his part, Kier is mesmerizingly creepy, but his natural eeriness promises something far more terrifying than the film can ever bring to the big screen. The Blazing World as Feminist Manifesto

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The Blazing World - Sundance 2018

There are plenty of films capable of winning over their audiences through their sheer inventiveness. A firm command of the camera can only take you so far. The narrative follows Margaret Youngreturning home to pack up her things as her parents prepare to move away.

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Her parents Vinessa Shaw and Dermot Mulroney hate each other, though apparently not enough to divorce. Just as things are about to get going, the main event, Young starts to muddle the waters beyond any narrative comprehension. Not even a competent showing by B-movie icon Udo Kier, playing a creepy man called Lained, can break through all the nonsense. Occupying a space somewhat halfway in between the Red Queen and the Cheshire Cat, Kier is menacing, but never really all that interesting. The script never really gives anyone anything to do.

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As an actress, Young dominates most of the early scenes, an energetic personality amidst a sea of depressing figures. Largely left to her own devices throughout the rest of the narrative, Margaret loses a lot of steam.

The Blazing World as Feminist Manifesto

Young clearly has ballet on her mind with The Blazing World. Everything in ballet, from the music, the set design, the corps de ballet, and the male dancers, all works to enhance the principal. Margaret is far too aloof to carry that burden.

The Blazing World as Feminist Manifesto

Everything is just too jumbled up, a disappointing showing from a talented filmmaker. Alejandro shares some insights into his creative process and what it was likely to film in the butterfly forests of Mexico, beautiful scenery typically only depicted in documentaries.

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Courtesy of Sundance Institute. Thursday 4 February The Estradiol Illusions Podcast. Sundance Series: Son of Monarchs. Search Episodes Clear Search.

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