A Country Churchyard By Thomas Gray - amazonia.fiocruz.br

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Contact: Alexander Huber E: huber thomasgray. Thomas Gray was born in London in and died in Cambridge in He was a poet, letter-writer, scholar, critic, and avid reader and commentator, whose published output during his lifetime remained slim, yet who left behind a large and varied manuscript output. See the Archive's biographical sketch or chronology of Thomas Gray for more information. Thomas Gray Manuscripts: An Integrated Finding Aid lists all of Gray 's identified autograph poetry manuscripts as well as transcripts in the hands of his contemporaries and early editors of his works.

A Country Churchyard By Thomas Gray Video

Elegy written in a country churchyard A Country Churchyard By Thomas Gray

Elegy Written in a Country Churchyard is a poem by Thomas Graycompleted in and first published in It was sent to his friend Horace Walpolewho Churcyhard the poem among London literary circles. Gray was eventually forced to publish the work on 15 February in order to preempt a magazine publisher from printing an unlicensed copy of the poem.

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The poem is an elegy Tgomas name but not in form ; it employs a style similar to that of contemporary odes, but it embodies a meditation on deathand remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the churchyard.

The two versions of the poem, Stanzas and Elegyapproach death differently; the first contains a stoic response to death, but the final version contains an epitaph which serves to repress the narrator's fear of dying. With its discussion of, and focus on, the obscure and the known, the poem has possible political ramifications, but it does not make any definite claims on politics to be more universal in its approach to life and death. Claimed A Country Churchyard By Thomas Gray "probably still today the best-known and best-loved poem in English", [2] the Elegy quickly became popular. It was printed many times and in a variety of formats, translated into many languages, and praised by critics even after Gray's other poetry had fallen out of favour. Please click for source critics tended to comment on its language and universal aspects, but some felt the ending was unconvincing—failing to resolve the questions the poem raised—or that the Churcnyard did not do enough to present a political statement that would serve to help the obscure rustic poor who form its central image.

Gray's life was surrounded by loss and death, and many people whom he knew died painfully and alone. Inseveral Churchyarf A Country Churchyard By Thomas Gray that caused Gray stress. On 7 November, Mary Antrobus, Gray's aunt, died; her death devastated his family. The loss was compounded a few days later by news that his friend since childhood [3] Horace Walpole had been almost killed by two highwaymen.

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As a side effect, the events caused Gray to spend much of his time contemplating his own mortality. As he began to contemplate various aspects of mortality, he combined his desire to determine a view of order and progress present in the Classical world with aspects of his own life. With spring nearing, Gray questioned if his own life would enter into a sort of rebirth cycle or, should he die, if there would be anyone to remember him.

Gray's meditations during spring turned to how individuals' reputations would survive. Eventually, Gray remembered some lines A Country Churchyard By Thomas Gray poetry that he composed in following the death of West, a poet he knew. Using that previous material, he began to compose a poem that would serve as an A Country Churchyard By Thomas Gray to the various questions he was pondering. Immediately, he included the poem in a letter he sent to Walpole, that said: [7]. As I live in a place where even the ordinary tattle of the town arrives not till it is stale, and which produces no events of its own, you will not desire any excuse from me for writing so seldom, especially as of all people living I know you are the least a friend to letters spun out of one's own brains, with all the toil and constraint that accompanies sentimental productions. I have been here at Stoke a few days where I shall continue good part of the summer ; and having put an end to a thing, whose beginnings you have seen long ago.

I immediately send it you. You will, I hope, look upon it in light of a thing with an end to it ; a merit that most of my writing have wanted, and are like to want, but which this epistle I am determined shall not want. The letter reveals that Gray felt that the poem was unimportant, and that he did not expect it to become as popular or influential as it did. Gray dismisses its positives as merely being that he was able to complete the poem, which was probably influenced by his experience of the churchyard at Stoke Poges, where he attended the Sunday service and was able to visit the grave of Antrobus.]