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The history of theatre charts the development of theatre over the past 2, years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment and theatrical or performative elements in other activities.

The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 6th century BC, vibrant traditions of theatre have flourished in cultures across the world. Theatre arose as a performance of ritual activities that did not require initiation on the part of the spectator.

This similarity of early theatre to ritual is negatively attested by Aristotlewho in his Poetics defined theatre in contrast to the performances of sacred mysteries : theatre did not require the spectator to fast, drink the kykeonor march in a procession; however theatre did resemble the sacred mysteries in the sense that it brought purification and healing to the spectator by means of a vision, the theama. The physical location of such performances was accordingly named theatron.

According to the historians Oscar Brockett and Franklin Hildy, rituals typically include elements that entertain or give pleasure, such as costumes and masks as well as skilled performers. As societies grew more complex, these spectacular elements began to be acted Music On Greek Theatre And Religion under non-ritualistic conditions. As this occurred, the first steps towards theatre as an autonomous activity were being taken.

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Greek theatre, most developed in Athensis the root of the Western tradition; theatre is in origin a Greek word. It was part of a broader culture of theatricality and performance in classical Greece that included festivalsreligious rituals Thetre, politicslawathletics and gymnastics, musicpoetryweddings, funerals, and symposia. Athenian tragedy —the oldest surviving form of tragedy—is a type of dance -drama that formed an important part of the theatrical culture of the city-state. Old Comedy survives today largely in the form of Music On Greek Theatre And Religion eleven surviving plays of Aristophaneswhile Middle Comedy is largely lost preserved only in relatively short fragments in authors such as Athenaeus of Naucratis.

New Comedy is known primarily from the substantial papyrus fragments of plays by Menander. Aristotle defined comedy as a representation of laughable people that involves some kind of error or ugliness that does not cause pain or destruction. Western theatre developed and expanded considerably under the Romans.

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The Roman historian Livy wrote that the Romans first experienced theatre in the 4th century BC, with a performance by Etruscan actors. Although Rome had a native tradition of performance, the Hellenization of Roman culture in the 3rd century BC had a profound and energizing effect on Roman theatre and encouraged the development of Latin literature of the highest quality for the stage. The first important works of Roman literature were the tragedies and comedies that Livius Andronicus wrote from BC. While both dramatists composed Music On Greek Theatre And Religion both genresAndronicus was most appreciated for his tragedies and Naevius for his comedies; their successors tended to specialise in one or the other, which led to a separation of the subsequent development of each type of drama. The Roman comedies that have survived are all fabula palliata comedies based on Greek subjects and come from two dramatists: Titus Maccius Plautus Plautus and Publius Terentius Afer Terence.

No early Roman tragedy survives, though it was highly regarded in its day; historians know of three early tragedians— Quintus EnniusMarcus Pacuvius and Lucius Accius.

Ancient Greek Theatre Analysis

In contrast to Ancient Greek theatre, the theatre in Ancient Rome did allow female performers. While the majority were employed for dancing and singing, a minority of actresses are known to have performed speaking roles, and there were actresses who achieved wealth, fame and recognition for their art, such as EucharisDionysiaGaleria Copiola and Fabia Arete : they also formed their own acting guild, the Sociae Mimaewhich was evidently quite wealthy. As the Western Roman Empire fell into decay through the 4th and 5th centuries, the seat of Roman power shifted read more Constantinople and the Eastern Roman Empiretoday called the Byzantine Empire.]