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At the end ofa town called Paradise in California signed a Green Chico Deal to rebuild their town to be carbon neutral and sustainable after it was completely destroyed by wildfires. At the time, I'd just started researching ideas on how we could extend the themes of extreme weather and preparedness from the TV series Big Weather and how to survive it with ABC Impact executive visit web page Teri Calder. I was working from the North Coast of NSW while spending time with my family after they'd just recovered from fighting fires on our farm outside of Kempsey. These fires were only the beginning of a bushfire season Living with the Extreme Fear Created by would end up being the worst on record in NSW.

Reading the story about Paradise during Black Summer inspired me to reimagine how we might live if we could start again. How could we build our homes and our communities to be better prepared for extreme weather and be carbon neutral? I've always worked in digital media and have a particular interest in how immersive storytelling can take an audience somewhere they can't go, step into someone else's shoes or reimagine a whole new environment. The ABC is always trying to tell stories to audiences in different ways and has been experimenting in immersive and interactive media for years. But apps are hard to market, slow to access and difficult to maintain, so we needed to investigate other ways of delivering immersive experiences to broad audiences, beyond apps and costly hardware. WebAR is much more accessible and available to https://amazonia.fiocruz.br/scdp/blog/story-in-italian/virtual-reality-and-artificial-intelligence.php with a phone or tablet — no extra equipment or headgear needed.

Until now it had only been used to create marketing campaigns for companies or non-government organisations. The last episode of Mt Resilience, launching this week, includes scientifically accurate animations of bushfires and storms voiced by ABC News Breakfast weather presenter Nate Byrne, and five animated adaptations that Crated aspects of resilience woven into go here narrative voiced by award-winning actress Ursula Yovich.

We also worked with Indigneous artist Blak Douglas to capture Indigenous visual concepts to shape the story of how Mt Resilience came to be. This type of project is a first for the ABC, and just like its name, it challenged us creatively, technically and personally.

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Mt Resilience was approved by the ABC in early with support from multiple teams, including Nathan Bazley, who guided me through the technical challenges of AR and strategised as to Living with the Extreme Fear Created by we could get this made; ABC Science reporter Genelle Weule, who worked on the adaptive animation stories; and Nate Byrne, who worked with Diana Eadie from the Bureau of Meteorology to create the 3D weather systems.

We wanted to get across the idea that resilience is not just about disaster preparedness, but an overall vision of how we can mobilise ourselves and communities to create change. Mt Resilience is not based on any one town in Australia, but a combination of towns across Australia. The idea is that it inspires people to apply some of these concepts in their own backyards, on an individual level, community and government level.

Realising Mt Resilience in AR was an opportunity to put aside all the red tape and negative attitudes of why we can't change — and start all over Living with the Extreme Fear Created by. We needed so many different brains to help tell this story because we had to cover so many different aspects of society. Once we had all our research, the challenge was how to communicate all of this detail in a meaningful way and make sure it was entertaining. The beautiful illustrative design of the town and the animations, the lovely voice of our narrator, Ursula Yovich, and the immersive sound design throughout each animation brings Mt Resilience to life. If you take a close look around town, you can spot artwork from Reg Mombassa, Elaine Russell and Blak Douglas scattered throughout town as murals, billboards and there's even one of Reg's kangaroos as a 3D statue. Tiny details like balloons, kites, electric cars zooming around town, troopies in the cultural burning scenes bring life into the scenes.

And audio grabs from Big Weather and how to survive it tell the stories of people who've lived through recent disasters. WebAR has many variables and there was a limit on how many visual elements, audio and animations we could include in the overall experience. Developing for webAR meant we had to take into account different user behaviours, what mobiles people were on, how old their devices were, what size screens they had, which operating system they were using and whether people had updated their software or not.]