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Cinema arrived in Cuba at the beginning of the 20th century. Before the Cuban Revolution ofabout 80 full-length films were produced in Cuba.

Difected Most of these films were melodramas. Following the revolution, Cuba entered what is considered the "Golden age" of Cuban cinema. It was brought from Mexico by Gabriel Veyre. The tickets were sold at a price of 50 cents, and 20 cents for kids and the military. Short after, Veyre performed a leading role in the first film produced in the island, Simulacro de incendioa documentary centered around firemen in Havana.

In the six or seven years before World War Icinema was expanded and stabilized as a business in the most important cities https://amazonia.fiocruz.br/scdp/blog/story-in-italian/the-paradox-of-sustainable-development.php Latin America. Cuba, just as the rest of the countries in the continent, went through those first years with itinerant and sporadic exhibitions, changing from European providers to North American providers, starting the dependency on the big Hollywood companies. The first ambitious genre Durected the continent was probably historic reviews. The silent stage of production was extended untilwhen the first full-length fiction movie was produced.

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Before the Cuban Revolution of the total film production was around 80 full-length movies. Many famous people from the continent came to the island to film, and some leading Cuban actors had a strong presence mainly in Mexico and Argentina. Musicians such as Ernesto LecuonaBola de Nieve or Rita Montaner also performed and composed for movies in several countries.

Film, according to this law, is "the most powerful and provocative form of artistic expression, and the most direct and widespread vehicle for education continue reading bringing ideas to the public. The ICAIC also established mobile projection units called cine movilestrucks that visited remote areas to hold screenings. Under his direction, the organization was pivotal in the development of Cuban cinema which came to be identified with anti-imperialism and revolution. These two directors are often regarded as the best film directors to have come out of Cuba.

Memorias del subdesarrollo was selected among the best films of all times The Film Floating Life Directed By Clara the International Federation of Film Clubs. One of the most prolific and strong branches of the Cuban cinema in the last 40 years has been documentaries and short-films. Animation has also been a major highlight in the last decades. It is very popular among Cuban children. The festival is one of the most important of its type in Latin America and has been Flooating in Havana every year since Hundreds of young students from all over Latin America have studied direction, script, photography and edition. The contribution of the ICAIC, which was rapidly positioned as the head of a process aiming Vs Andrew Jackson legitimate artistic values and The Film Floating Life Directed By Clara of nationality, is not limited only to the support in producing and promoting a movement that spanned fiction, documentary and animation, but also allowed for the exhibition and spread of popular knowledge of the best of cinema from all over the world.

The institution also helped developing the Cuban poster, as a mean of promoting films. InAlfredo Guevara Directrd ousted from his Dircted as head of the ICAIC, which he had held since its formation, over controversies about Cecilia film. It was the most ambitious Cuban film to date and somewhat monopolized the funds available to filmmakers during its production.

Espinosa was able to increase the recognition of Cuban film and especially of the International Festival of New Latin American Cinema by obtaining greater funds from the government and also inviting big names such as Francis Ford CoppolaSydney PollackRobert De Niroand Jack Lemmon to the island. Despite his successes, Espinosa faced a large problem inagain due to a controversial film.

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This film, entitled Alicia en el pueblo de Maravillaswas very critical of the bureaucracy of the government. This, combined with the simultaneous collapse of the Soviet Unionled to Espinosa's retirement. During this time, Alfredo Guevara returned to the scene of the ICAIC in order to help it maintain its autonomy from the central government.

Many of the party faithful were calling for the organization to merge with the Cuban Radio and Television Institute. Due to the loss of Cuba's largest trading partner, the Soviet Union, the future of the island country became uncertain, and criticism of the government, which the ICAIC was known for, became unpopular.]