Role Of Robert Steinbeck s The Grapes - amazonia.fiocruz.br

Role Of Robert Steinbeck s The Grapes Video

At first I thought this was just another weak short story, the kind first published in a magazine.

But this story turns out to be a bit more interesting if only to me than it seemed to be at first because of three principal symbolic elements it is based on. The chrysanthemum is a fairly common flower, one of the first that most of Ronert see and remember from childhood on.

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That act deceives that customer, our heroine, Elisa Allen, into trusting him. She is also deceived into feeling sorry for him. Without knowing she is doing it, she models that psychological destruction in the real Robdrt when she hands the shoots over to the handyman in a new flower pot, that pot putting a price on the education she will have received by the end of the story. Looked at this way, it is fitting that Elisa was initially short and irritated with the handyman.

Her attitude presages the devaluation the handyman is about to impose on her and her flowers. Teh he actually does a devaluation twice. He either lies about the woman he says he plans to give the shoots to she may not really exist ; or the woman is real, and is deceived without her knowing anything about it — a point I will return to later.

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The next symbolic element is the chicken-wire fence surrounding her flower plot. It separates Elisa and the handyman both physically and psychologically, as well as its intended work of keeping out the cattle, dogs, and chickens. The physical separation is the least important, since he means Elisa and her flowers no physical harm, and it is easily overcome by walking through the gate. The important role it plays is in symbolizing the vast social and economic gulf between two people.

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By contrast, Elisa wears gloves, which she was wearing at first but later takes off and puts in her apron. But even before that happened, we knew that Elisa and her husband Role Of Robert Steinbeck s The Grapes not just a pair of depression-era farmers struggling to get by. Henry, her husband, owns a Ford tractor and a car, and has a hired helper named Scotty. The handyman has a wagon with a misspelled sign advertising his services, drawn by a mismatched team of horse and burro. The third important symbol is the bunch of chrysanthemum shoots discarded in the road by the handyman after he has resumed his journey.

It is a silent deception, and basically harmless, but it is deception nevertheless because Elisa says nothing of even meeting the handyman, turning away from his wagon on the road as the car passes it. And the incident might not be over yet. She will have some explaining to do if her husband goes looking for the new red flowerpot, or observes visit web page buying another one to replace the one she gave away and now resides in the wagon of the handyman, empty of its initial contents.

But the important question is what the flowers in the road actually represent.

The Winter of Our Discontent, by John Steinbeck, winner of the Nobel Prize in 1962

Some flowers in a garden, a fence, and the flowers found in the road; a gift, a barrier overcome, and a barrier re-raised. This deceptively simple story is built around those subtle and powerful symbolic elements. Elisa and her husband will share the same dinner, the same wine and the same movie, but will return home with powerfully different memories of that one very different day in each of their very different lives.

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