The East Facade Of The Louvre - amazonia.fiocruz.br

Pity: The East Facade Of The Louvre

It featured majesty, harmony and regularity. It had an important influence upon the architecture of other European monarchs, from Frederick the Great of Prussia to Peter the Great of Russia. The Louis XIV style had three periods.

The East Facade Of The Louvre

During the first period, which coincided with the youth of the King and the regency of Anne of Austriaarchitecture and art were strongly influenced by the earlier style of Louis XIII and by the Baroque style imported from Italy. The early period saw the beginning of French classicism, particularly in the early works of Francois Mansartsuch as the Chateau de Maisons — During the second periodunder the personal rule of the King, the style of architecture and decoration became more classical, triumphant and ostentatious, expressed in the building of the Chateau of Versaillesfirst by Louis Le Vau and then Jules Hardouin-Mansart.

In the later period, thanks to the development of the craft of marquetrythe furniture was decorated with different colors and different woods. The new style was lighter in form, and featured greater fantasy and freedom of line, thanks in part to the use of wrought iron decoration, and greater use of arabesquegrotesque and coquille designs, which continued into the style of Louis XV. The model of civil architecture in the early part of the reign was Vaux le Vicomteby Louis Le Vaubuilt for the King's chief of finance Nicolas Fouquet and completed in The East Facade Of The Louvre XIV charged Fouquet with theft, put him prison, and took the building for himself.

This gradually became, over the decades, the master work of the Louis XIV style. Following the death read article Le Vau inJules Hardouin-Mansart took over the Versailles project; he broke away from the picturesque projections and dome and made a more sober and uniform facade of columns, with a flat roof topped by a balustrade and row of columns He used the same style to harmonize the other new buildings he created at Versailles, including the Orangerie and the Stables. Hardouin-Mansart constructed the Grand Trianon completedsingle-story royal retreat with arched windows alternating with pairs of columns, and a flat roof and balustrade.

Another major new project undertaken by Louis was the construction of a new facade for the east side EEast the Louvre. In Louis invited the most famous sculptor architect of the Italian Baroque, Gian Lorenzo Berninito submit a design, but in rejected it in favor of a more sober and classical colonnadedesigned by a committee of three, comprising Louis Le Vau, Charles Le Brun, and Claude Perrault.

The Eastern Facade Of The Louvre

Vaux le Vicomte by Louis Le Vau Its picturesque tripartite facade, peristyle, detached columns, statues, and tondimake it the most Italianate and Baroque of Paris churches. It served as the prototype for the later domes of Les Invalides and the Pantheon.

The dome, by Hardouin-Mansart, was more revolutionary, sitting upon a structure with the plan of a Greek Cross. Thf design used superimposed orders of columns, in the classical style, but the dome achieved greater height, by resting on a double tambour or drum, and the facade and dome itself were richly decorated with sculptures, entablements in niches, and ornaments of gilded bronze alternating with the nervuresor ribs of the dome. The finest church interior of the late Louis XIV period is the chapel of the Chateau of Versaillescreated between and The East Facade Of The Louvre Hardouin-Mansart and his successor as court architect, Robert de Cotte. The decor was carefully restrained, with light colors and sculptural detail in slight relief on the columns.]