Gilman was concerned with political inequality and social justice in general, but the primary focus of her writing was the unequal status of women within the institution of marriage. An essential part of her analysis was that the traditional power structure of the family made no one happy—not the woman who was made into an unpaid servant, not the husband who was made into a master, and not the children who were subject to both. Inearly in her first marriage and not https://amazonia.fiocruz.br/scdp/essay/pathetic-fallacy-examples/my-school-of-media-arts-and-design.php after the birth of her daughter, Charlotte Perkins Stetson as she was then known was stricken with a severe case of depression.
The Yellow Wallpaper Symbolism
She was referred to Dr. Especially in the case of his female patients, Mitchell believed that depression was brought on by too much mental activity and not enough attention to domestic affairs. For Gilman, this course of treatment was a disaster. Prevented from working, she soon had a nervous breakdown. At her worst, she was reduced to crawling into closets and under beds, clutching a rag doll. Leaving behind her husband and child, a scandalous decision, Charlotte Perkins Stetson she took the name Gilman after a second marriage, to her cousin embarked on a successful career as a journalist, lecturer, and publisher.
Going further back, Gilman also draws on the tradition of Patriarchy The Yellow Wallpaper By Charlotte Perkins Gothic romances of the late eighteenth century, which often featured spooky old mansions and young heroines determined to uncover their secrets.
The Yellow Wallpaper Literary Analysis
Plot Overview The narrator begins her journal by marveling at the grandeur of the house and grounds her husband has taken for their summer vacation. She describes it in romantic terms as an aristocratic estate or even a haunted house and wonders how they were able to afford it, and why the house had been empty for so long.
She complains that her husband John, who is also her doctor, belittles both her illness and her thoughts and Patriarchy The Yellow Wallpaper By Charlotte Perkins in general. She contrasts his practical, rationalistic manner with her own imaginative, sensitive ways. Her treatment requires that she do almost nothing active, and she is especially forbidden from working and writing. As the first few weeks of the summer pass, the narrator becomes good at hiding her journal, and thus hiding her true thoughts from John. She mentions that John is worried about her becoming fixated on it, and that he has even refused to repaper the room so as not to give in to her neurotic worries. She mentions that she enjoys picturing people on the walkways around the https://amazonia.fiocruz.br/scdp/essay/mormon-bank-utah/the-first-occasion-when-we-see-elizabeth.php and that John always discourages such fantasies.
She also thinks back to her childhood, when she was able to work herself into a terror by imagining things in the dark. As she describes the bedroom, which she says must have been a nursery for young children, she points out that the paper is torn off the wall in spots, there are scratches and gouges in the floor, and the furniture is heavy and fixed in place.
As the Fourth of July passes, the narrator reports that her family has just visited, leaving her more tired than ever.
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John threatens to send her to Weir Mitchell, the real-life physician under whose care Gilman had a nervous breakdown. The narrator is alone most of the time and says that she has become almost fond of the wallpaper Waplpaper that attempting to figure out its pattern has become her primary entertainment. As her obsession grows, the sub-pattern of the wallpaper becomes clearer. Whenever the narrator tries to discuss leaving the house, John makes light of her concerns, effectively silencing her. Each time he does so, her disgusted fascination with the paper grows.]
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