Theme Of Motifs In The Canterbury Tales - amazonia.fiocruz.br

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The Canterbury Tales Middle English : Tales of Caunterbury [2] is a collection of 24 stories that runs to over 17, lines written in Middle English by Geoffrey Chaucer between and The tales mostly written in verse , although some are in prose are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return. After a long list of works written earlier in his career, including Troilus and Criseyde , House of Fame , and Parliament of Fowls , The Canterbury Tales is near-unanimously seen as Chaucer's magnum opus. He uses the tales and descriptions of its characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Theme Of Motifs In The Canterbury Tales

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'The Cook's Tale' by Geoffrey Chaucer: summary, themes \u0026 main characters! - Narrator: Barbara Njau Theme Of Motifs In The Canterbury Tales

It deals with the vital issues of discerning what the ideal life is and how to attain it, especially how to integrate spiritual, intellectual and artistic pursuits, as well as how to integrate the interior life and exterior life and service in the outer world. Even though it is most unlikely that you, dear reader, have read this novel, I think that this essay can still be meaningful and interesting to read because it deals with universal issues from a fictional and highly symbolic perspective. His other 11 novels include the well-known Demian, Steppenwolf, and Siddhartha. Inhe received the Nobel Prize in Literature. To describe the novel using musical terms and images is appropriate because music is a major underlying theme of the novel. Thus, we can say that the novel is like a dazzling presentation of a Mozart piano sonata or concerto, or perhaps like a Mozart opera, where Hesse composed both the libretto and the musical score, to form a perfect contrapuntal Theme Of Motifs In The Canterbury Tales.

The Latin term literally means 'master of play' or master of the game.

The novel is developed as a narration of the life-story of Joseph Knecht, written by his biographer after his death, who tells the story of how Joseph Knecht came to Castalia as a student, joined the Order of Castalia — a male semi-monastic community Motifw scholars — rose to become its chief Master at the top of the Theme Of Motifs In The Canterbury Tales of Castalia, known as the Master of the Glass Bead Game or Magister Ludi Master of Play or Master of the Game. As the Game progresses, associations between the themes become deeper and more varied. Later on, Joseph Knecht becomes disillusioned, resigns his position as Magister Ludi, and leaves the Order; he becomes a private tutor, in order to be of service to the outer world. The pupil then in turn becomes a master and the successor of the wise old man, to whom pupils come.

However, in the exposition and development of Mptifs themes and variations, Hesse artfully harmonizes lyrical beauty and the skill of an expert story-teller, together with that profound insight and wisdom that could only be born out of his own inner suffering in the interminable quest for enlightenment and the perfect spiritual life. The consequent achievement is the transposition of the archetypal symbols from the realm of abstract forms, onto the concrete tangible stage of human life, where the reader may share and Theme Of Motifs In The Canterbury Tales participate in the process and development of the attainment of spiritual enlightenment, and its product, serenity. However, having achieved the perfection for which the way of truth and meditation strives, Joseph Knecht must carry it a step further than Castalia Talfs, but which is the logical and inevitable progression of having attained the ideal perfection. Ultimately, he must seek to harmonize the outer reality the world outside Castaliawith the inner reality the pure cerebral world of the intellect and spiritand therefore is inwardly compelled to leave Castalia in order to teach in that outer world from which Castalia has virtually isolated itself.

Theme Of Motifs In The Canterbury Tales

Symbolically, the spiritual-intellectual quest for truth, meaning and understanding are equated and associated with the sun, light, enlightenment, wisdom, divine Spirit, and the Word. Symbolizing the human who has achieved such wisdom and spirit are various archetypal figures — the Wise Old Man, the Sage, the Teacher.

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However, the aged gray-beard Master is but one side of the dual and paradoxical nature of reality, for as Jung instructs us:. Thus the nature of the archetypal theme requires that the master have a young pupil-son-disciple-servant in order to provide the paradoxical balancing element. Perhaps such an understanding sheds light on the symbolism of the idea and the primarily Western artistic representation of God the Father as an old gray-bearded King, and Christ the Logos as go here young man. The German word, knechtmeans both servant and knave. As a servant, we have the pupil-youth-servant, counter-balancing the Wise Old Man, as well as the opposing component of the wise master — the trickster or knavish element.

As a youth and pupil, Knecht provides the balancing factor for an external Sage, the Magister Musicae. In later life, he symbolically expresses through his name the unity and harmony of the two opposites within himself when he Family Culture a Magister, and is simultaneously master and servant.

Knecht is well aware of the ambiguous experience of becoming less free the higher one rises in the Castalian hierarchy, so that finally, as the perfect master, he must become the perfect servant — Magister-Knecht. Such wisdom is found Theme Of Motifs In The Canterbury Tales in most spiritual and wisdom literature. Joseph in Egypt was reunited with his eleven brothers and his father, Jacob. What is the symbolism of a castle? Most everyone is charmed by a castle: it is usually elevated on a beautiful hill, and tempts by its cool, reserved isolation from the banalities of the world, by its self-sufficiency, strength and endurance, and by the fanciful tales associated with a castle of knights and noble men and women. Nevertheless, a person cannot remain continually in the pure celestial light of the top of the holy mountain of Mt. Sinai or Mt. Tabor, the place of the Transfigurationfor it is too dazzling.

The person must return to the everyday life of the people below, to show them the way of enlightenment. Therefore, the inherent danger of Castalia is the sun-stroke which blinds the inhabitants to its polar opposite — the people in the world — and how necessary it is to harmonize the two polarities. Symbolism of the Glass-Pearls-Game Glasperlenspiel First we will discuss the symbolism of the three parts of the original German title that Hesse gave to Theme Of Motifs In The Canterbury Tales novel, Glasperlenspielliterally, Glass-Pearls-Game.

Firstwhat is glass? Glass is both reflecting and transparent.]

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