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Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy. Erudite but light-hearted, dramatic yet playful, the Metamorphoses has influenced writers and artists throughout the centuries from Shakespeare and Titian to Picasso and Ted Hughes. This lively, accessible new translation by David Raeburn is in hexameter verse, which brilliantly captures the energy and spontaneity of the original. The edition contains an introduction discussing the life and work of Ovid as well as a preface to each book, explanatory notes and an index of people, gods and places. Coming from a wealthy Roman family and seemingly destined for a career in politics, he held some minor official posts before leaving public service to write, becoming the most distinguished poet of his time. His works, all published in Penguin Classics, include Amores, a collection of short love poems; Heroides, verse-letters written by mythological heroines to their lovers; Ars Amatoria, a satirical handbook on love; and Metamorphoses, his epic work on change. Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information. The Distinct Epic Format of Ovids Metamorphoses

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Guide to Ancient Literature: Epic Poetry

The work includes fifteen books nearly twelve thousand verses written in dactylic hexameters and brings together several hundred short stories on the theme of metamorphoses from Greek mythology and Roman mythology, organized according to a complex structure and often overlapping each other. The general structure of the poem follows a chronological progression, from the creation of the world until the time when the author lives, that is to say the reign of the emperor Augustus. Famous since Antiquity, the poem becomes a classic of Latin literature translated throughout the world and has abundant posterity until the present day. It has Eminent Domain rise to numerous comments and analyzes and has inspired many artists from Antiquity to the present day.

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Ovid composed the Metamorphoses at the very beginning of the 1st century, during the reign of the Emperor Augustus. This historical period is marked by the end of the civil wars which bruised the Romans, and by the Metmaorphoses of the Empire which is, notwithstanding the safeguard of republican institutions and the desire to mark the return to a golden age, the expression in reality of personal power1.

This support for writers following the seizure of power by Augustus stems from a search for unification of the subjects of the Empire behind a culture, a common heritage.

The Distinct Epic Format of Ovids Metamorphoses

The ideological stake then requires the creation of an imperial mythology, with an obvious political dimension. Metzmorphoses is in this infernal exile that he ends his days on an imprecise date, probably around the year 9 or Beyond the political context, the literary era is particularly fruitful.

This first century was marked by the achievement of monuments of Latin literature, such as the Aeneid of Virgil, who was inspired by Hellenic myths to compose a founding poem in Roman culture.

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This rewriting of Greek material is omnipresent in Ovid, who is similarly inspired by Homer's Iliad and Odyssey, as well as Hesiod's Theogony1. In addition, the Metamorphoses are the only poem by Ovid composed in dactylic hexameters, a line usually reserved for the epic.

The Distinct Epic Format of Ovids Metamorphoses

Author's project fr. The author's project is complex and innovative.

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This poetic manifesto endorses the verse of the epic without having the same objectives. O does not wish like Virgil to write a text to the glory of Augustus or to the glory of Rome. The poet chooses to stage metamorphoses whose origin he draws from mythological tales, epic tales and tragedies1. The term metamorphosis is already in itself unique because it was undoubtedly created by Ovid himself the word appears for the first time in this work 2. Https://amazonia.fiocruz.br/scdp/essay/is-lafayette-a-hidden-ivy/how-wireless-technology-has-changed-improved.php him, we used the term transformation but not metamorphosis2. It therefore implies a mode of rewriting different from what has preceded in time.

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This term of metamorphosis is therefore twofold: both a story of transformation and at the same time a literary genre by the transformation of the story in itself3. It is this last point that makes Ovid's work unique. The poet has transformed the epic, tragedy and poetry into a unique and complex poetic narrative whose rewriting is the common point. HTe project then appears clearly to create a catalog of metamorphoses not for.

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