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Apocalypse Now: To The Edge Of SanityBut with the former ramped up to 11, the latter — looking at sexism and workplace harassment — is overshadowed at best and incredibly maudlin at worst. At least the casting is compelling enough to keep things afloat. As they grow into adults Tully and Kate make goals to become journalists, though where Tully Melodraja Kate falls into a relationship with her boss, Johnny Ryan Ben Lawson.
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These time periods are all interwoven; a straightforward narrative would have worked far better. If the goal is to show how times have changed or in many cases, stayed the Operatif there needs to be additional delving. The two women too often devolve into caricature; Chalke rocking massive eyeglasses — because nerdy — while Heigl rocks blue eyeshadow like a Pat Benatar-loving goddess. Which is a shame because Chalke plays the sweet-hearted, nerdy Kate Operatic Melodrama in Apocalypse Now well, particularly in the present day when Kate, going through a divorce, starts to reassert her identity.
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To her credit, Heigl does the Mflodrama lifting. All of it. So much so that Tully Hart comes off like the most cursed, damaged character in the history of characters. Throughout 10 episodes Heigl plays every emotion, from angry to happy to sad to traumatized.
Tully is a lightning rod for every bad thing that can happen to a woman, and yet Heigl does make Tully captivating.
The actress, who herself is often maligned for being difficult, leans into that belief and showcases why Tully has to be difficult: because no one else seems to support her. Where Chalke is sweetness and light, Heigl is acerbic and dark.
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Instead, we see Tully as this sexual dynamo trying to find love in all the wrong places. On the other…. Chalke and Heigl make the series far more entertaining than it has any right to be. Source: Read Full Article.]
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