Louis Contributions Of The Jazz Music Scene - indefinitely
Chicago , Illinois is a major center for music [1] in the midwestern United States where distinctive forms of blues greatly responsible for the future creation of rock and roll , and house music , a genre of electronic dance music, were developed. The " Great Migration " of poor black workers from the South into the industrial cities brought traditional jazz and blues music to the city, resulting in Chicago blues and "Chicago-style" Dixieland jazz. Chicago is also well known for its soul music. In the early s, Gospel music began to gain popularity in Chicago due to Thomas A. Dorsey 's contributions at Pilgrim Baptist Church. In the s and s, heavy rock , punk and hip hop also became popular in Chicago. Louis Contributions Of The Jazz Music Scene.Louis Contributions Of The Jazz Music Scene - phrase opinion
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Black Contributions to British Popular Music. Artistic and Cultural Aspects. Master Thesis. Supervised by:.
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Table of Contents. The earliest artistic depictions of black musicians in Great Britain date back to the Middle Ages. Since thenthe influence of people of African descent on the British popular music scene has grown steadily with the impact of many different black musical styles ranging from gospel, blues, jazz, Contributins, calypso, ska, rocksteady, reggae, soul, disco or hip-hop. The period starting in the late s, however, represents a unique and different situation for the British popular music scene because for the first time large - scale black migration into the country took place and thus a direct black influence on Muwic popular music from inside the country was visible and not mainly from outside as was the case before. This is in particular true for the black music genres gospel 1calypso, ska, rocksteady and reggaewhich Caribbean immigrants imported into Great Britain and spread there.
The reason for the huge amount of migration was that after the destruction Great Britain suffered in the Second World War, the country was badly in need of labour help from outside to rebuild the state. Therefore, by passing the British Nationality Act in the yearthe authorities decided to bring in extra work force from the British Commonwealth which would help to restore the country.
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This was seen as a great possibility, especially by people of Afro-Caribbean descent who were victims of poverty, unemployment and overcrowding in their home countries, not only to work and live in Great Britain but also to have a better life compared to their previous ones. Expectations for their new home were Contribktions, as were the disappointments they had to face when they arrived in Britain and the British government as well as the society were not ready or even willing to live a life in harmony with the newly settled people.
One reason, according to the concept of power, which is part of postcolonial theory is that people of colour imposed Luois threat to power relations in British society. Social scientist Ina Kerner 70 suggests that an important aspect of European cultures is that many follow the position that European identity and culture are superior to others outside Europe.
Therefore, t he way p eople of colour from outside Europe were represented in a white society occurred in a rather unequal power relationship which was discursive and ideological. Caribbean migrants were made to feel inferior and alienated from their own culture.]
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