Score: 4.
This is important in order to identify to what extent the main female characters - Mina Harker and Lucy Westenra - go conform to those former roles. Their characters and respective roles in society will be analysed arguing that Mina represents a role model of a Victorian woman and Lucy Stokegs example of a fallen woman.
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Stikers It consists of a collection of journal entries, letters and telegrams so that there are several narrative perspectives. Van Helsing and Dr. John Seward. The novel opens with Jonathan Harker, an English lawyer who travels to Transylvania to conclude a real estate transaction with a man called Count Dracula. On link way to the destination he is being warned about the castle of Count Dracula.
Just a few days later Harker learns Com;aring he is kept in prison in the castle and nearly attacked by three seductive, female vampires. She believes that she has seen a creature with red eyes bending over Lucy what proofs to be true: Lucy has been bitten by Dracula and therefore is slowly transforming into a vampire. Score: 3. Bram Stokers "Dracula" has never stopped being printed since it was published in and has become the figurehead for vampirism. The vampire has always been an object of terror and at the same time he has fascinated us. Indeed, vampirism is very often associated with sexuality, especially with repressed sexuality.
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Williamson points out that Dracula is written in the Victorian age which is "considered to be one of sexual repression and the vampire represents the return of the masculine repressed. Nevertheless, there are other opinions about that period. Elaine Showalter argues that Dracula was also written in a time of "sexual anarchy" cf Showalter 3 and that this was a decade of alternative definitions of being male or female and also a time where the New Woman' was invented. That Stoker's" Dracula" has often been interpreted and analyzed for its sexual contents is due to the "powerful sexual charge" which Murray claims runs throughout the novel cf Murray f; Kline 5f.
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There is no agreement "as to what kind of sexuality is present in the novel," but Spencer points out that among them there is no doubt that "a given sexuality [ Of course, sexuality is not explicitly described and rather masked, therefore the interpretations of these symbols are different. This paper seeks to analyze the depiction of sexual women in the novel on the basis of particular plots.
Buda-Pesth seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets. I feared to go very far from the station, as we had arrived late and would start as near the correct time as possible.]
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