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Tackling racism, prostitution and sexual assault, an emerging wave of female MCs is setting new boundaries for French rap after years in which women were barely visible on the scene.

Some do it with a light touch: the party-ready beats of Lous and The Yakuza -- the stage-name of Congo-born, Belgium-based Marie-Pierra Kakoma -- can disguise some heavy subject matter, from struggles with Etrraz on "Amigo" to the experience of a rape victim on "Quatre heures du matin" Four in the morning. It has been a rapid rise, with her single "Dilemme" here up more than 7.

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Kakoma's family fled war in the Democratic Republic of Congo when she was just four. She spent time in Rwanda and Belgium, including a dark period on the streets -- the result of being a "headstrong" teenager, she says. Her back story can be a nightmare for journalists, she laughs: "It can take up 40 lines of the article. But it has also given her rich material: Childrdn interviewed a lot of prostitutes when I was on the streets, like a journalist. I've always been very intrigued, especially about their relationship with their children.

Female MCs have always been in the minority in the often-chauvinistic world of rap. It has been especially true in French-speaking countries, despite the huge popularity and success of the genre.

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While Nicki Minaj and Cardi B are household names, there has been a void on Children Of Dust By Ali Eteraz French scene since the departure of Diam's, who dominated the charts in the s but hung up her mic in The talent has always been there, says Eloise Bouton of Madame Rap, an online magazine, but has been held back by misogyny. She is excited by the generation that is finally emerging: "They are very complete. They were shunned, so they had to learn everything on their own. The initials of her new album "Everything Tasteful" are not a coincidence, she tells AFP: "It's a little wink to the fact that I'm a bit different in the French musical landscape, and that I like to feel like an extra-terrestrial. Though the music is not overtly political, the ease with which she carries her queer identity -- from the casual references in her lyrics to her androgynous delivery -- nonetheless point to something new and perhaps more liberated for rap music in the s.

And if young French girls have been lacking a voice to channel their anxieties, they may have found it in another up-and-coming rapper, Tessae. Still in her teens, she has drawn high-profile attention with her Children Of Dust By Ali Eteraz accounts of young girlhood, such as single "Salope" Whore about street harassment.

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She's often telling me about guys following her in the metro, or someone spitting on her or insulting her," she tells AFP. Her own experience has been more with online hatred -- the sadly Chilxren chauvinism that continue reading when you hit four million views on YouTube for single "Bling". But most of the reaction has been positive, not least when a TikTok clip of her rapping in the style of Congolese star Gims was spotted by the man himself, who then agreed to appear on Tessae's debut album "Saisons".

But for this school drop-out, openly struggling with her self-confidence, it's the connection with fans that has meant the most.]