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PREFACE TO LYRICAL BALLAD BY WILLIAM WORDSWORTH OR THEORY OF POETIC DICTION

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Simon Lee the Old Huntsman is a poem which occurs in Lyrical Ballads and was written in , belonging, thus, temporally to the Romantic period William Wordsworth has been characterised as a canonical author of Romantic Poetry in that his work is highly attached to the notion of Nature and plenty of reference is made to it. In other words, we will analyse the way various elements of poetic form and language combine to create meaning and effects. Simon Lee is about an old huntsman who, while was once strong and active, now strives to fight his declined health and strength. The poem recounts an actual encounter of the poet with this old man. It seems to be a hybrid of lyric and narrative a lyrical ballad. Lyric in that we have a first-person expression of emotion and concentration upon the actions and feelings of an individual at a particular moment, while narrative, since there is a narrator and another character, whom the former encounters and, later, describes. Lyrical Ballads Essay

Restricted access to the most recent articles in subscription journals was reinstated on January 12, More informations. This collections of essays is not a bicentenary reading of Lyrical Balladsbut an exploration of Lyrical Ballads Essay context, of the other texts and issues that shaped public debate two hundred years ago, and that make it a worthwhile subject of enquiry today.

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It is a timely exploration for, as Richard Cronin points out in his introduction, other texts, about which we still know too little, were more successful at the time. Some, like Malthus's Essay on the Principle of Populationwere more influential too.

Many were anonymous, as writers avoided unwelcome scrutiny of their private lives in the wake of the politicisation of all areas of public debate under the threat of French invasion. Political repression and a prying press were, Bqllads seems, good for literature.

It is in restoring a nuanced understanding of the politicisation of culture in the wake of the French Revolution that this collection is most impressive.

Nicola Trott reveals with precision some of the ways in which literature and politics were gendered in the year in which the Anti-Jacobin attacked Mary Wollstonecraft. Wollstonecraft, she shows, became, after the publication of Godwin's Memoirboth 'amazon and whore' p. Trott also has valuable insights to make about the anti-Jacobin novel: she demonstrates that its plot is typically a kind of parody of Godwin's Memoira deliberate reduction of Lyrical Ballads Essay disinterested radical theories to the improper practices of promiscuous sexuality and unlicensed thieving.

Godwin, the novels, revealed, had scored a telling own goal. Where Trott illuminates a wide range of neglected writers, Dorothy Macmillan focuses on one, Joanna Baillie. But she also restores to our attention a little-known literary context, that of medical and surgical discourse.

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Macmillan shows that Baillie was formed in a family of doctors, of whom here most famous were William and John Hunter, the pioneering anatomists. Baillie, she shows, may have been responding to the Hunters' example in her own work.

Not only did she embrace the instructive aims of William, but relied on the 'experimental method' Lyrical Ballads Essay exhibit nature, just as John had done when revolutionising the profession of surgery. Gaull's fascinating survey of contemporary attitudes to sex casts new light on The Ruined Cottage. Lyrical Ballads Essay makes an important argument too when she shows that James Hutton's Theory of the Earthin which the geologist sees 'no sign of a beginning—- no prospect of an end,' 'shifted the focus of historians, scientists and social philosophers such as Malthus from origins to processes, from utopian futures to contemporary events' p. Richard Cronin examines the history ofilluminating W.

Cronin is perceptive about the confusion within these poems, showing how they espouse peace but admire warrior heroes.

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He is sensitive also to issues of form: he implies that it was Lyricaal distance from the rhetoric of radicals and Tories, a distance produced by his trip to Germany, that allowed him to escape the constrictions of Virgilian epic; constrictions that still hampered Southey and Article source. The result of this freedom was The Prelude. By the end of Alice Jenkins and Nicholas Roe's essays, the purpose of this book has been triumphantly accomplished. Jenkins reveals the cross-currents that flowed Lyrical Ballads Essay Humphry Davy's chemical theories and the poetry of Southey and Wordsworth. She reveals a common vocabulary: chemistry gave poets a vocabulary of symbols which seemed to be founded on the dynamic forces which created life.

Life is the subject of Roe's characteristically well-researched Lyrical Ballads Essay. Using the archive at Guy's Hospital, he explores the medical basis of John Thelwall's materialism.

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In the process, he throws new light on the vitalism debate that occupied natural philosophers and Lyrical Ballads Essay opens new lines of enquiry into the symbolism of 'Tintern Abbey'. Wordsworth's verses, Roe suggests, 'read as if they were a recollection of and a response to' Thelwall's discussion of 'animal vitality' p. Discussing Thelwall's poetry of retirement too, Roe gives a new perspective on the issue that preoccupied critics Lyrkcal the s, the issue of whether Wordsworth's and Coleridge's nature Lyrical Ballads Essay constituted an evasion and denial of politics. Four other fine essays complete the volume. Stephen Prickett explores the connections between Coleridge, Schleiermacher and narratives of exploration. Peter Jimack surveys French political thought and its influence in England.]