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For the children and grandchildren of Riise who were old enough to see the beginning of the modern suburbs — Generation X, the millennials, and Generation Z, born, according to most definitions, from the mid-sixties all the way to the present day — the great promise of suburbia had lost some of its luster by the time they arrived.

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This was due in large part to slow economic growth otherwise known as "stagflation" in the seventies that put a halt to the forward momentum of the decades following World War II. Fuel shortages meant getting around wasn't as easy as it had been in previous decades; houses built in the forties and fifties were starting to show wear; and in the sixties and early seventies, white baby boomers Tge had been given the gift of a healthy economy and the bright, shiny future outside the cities where their elders had lived and toiled rejected many of the traditions, norms, and laws that in some cases had been in place for centuries. With the emerging generation gap came a rejection of what previous generations considered the American Dream.

The narrative changed. The suburbs were bland and bourgeois, no longer the space-age neighborhoods of tomorrow that they once were. The shine had worn off, but developers kept building more homes and neighborhoods, and people kept moving to them despite housing market crises popping up throughout RRise one of the source three decades of the twentieth century.

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Fortune companies moved outside cities, big box stores opened outside cities, and the suburbs kept getting bigger and bigger, often awkwardly. You could go nearly Americwn in America and find housing developments, rows of ranch homes covered in aluminum siding with green lawns The American Dream The Rise Of The all looked very similar, situated next to big gaps of empty or wooded areas. You could drive a little ways and find nondescript business parks that went dark and silent at night, and of course you could find suburbia's Main Street, the mall more on that later. This is a typical description of the suburbs as people who experienced suburbia from the seventies onward might recall them.

These homes, as Kate Wagner of McMansion Hell points out, are guilty of many crimes, from a total lack of balance among the parts of the building to the bad craftsmanship all the way to the often horrible landscaping. The often gaudy and sometimes straight-up grotesque McMansions grew in stature thanks in large The American Dream The Rise Of The to developers like Toll Brothers, who, in William Levitt fashion, mass-produced the homes identified by, as Virginia Savage McAlester points out in A Field Guide to American Houses, "complex high-pitched roof[s]" that tend to be "favored for huge custom-designed homes of five thousand to ten thousand square feet and up.

The houses typically employ a mishmash of styles that doesn't make much architectural sense columns on a colonial or craftsman revival home, for instance. As Leigh Gallagher writes in her book "The End of the Suburbs," "Provenance Americab accuracy weren't as important — it was size and scale and how much it glittered that mattered. You also saw blossom this idea that no matter what critics said about the suburbs, an old-timey feel could be built in newer communities where everything was laid out according to plans that said how every little thing was supposed to Tne. The look would create a certain feel, and the idea was that people would pay big money because these places felt like they came from a simpler time.

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Long Grove, Illinois, is one of those places: It has its share of McMansions and a promise that the village would maintain a semi-rural atmosphere. It was once indeed Tne "long grove," before white settlers came along. There's still grass growing wild, and some of the hickory trees there were around long before the neighborhood.

Private roads are encouraged to limit traffic.

Despite the buildup over the years, it still feels like there's a lot of open space. I know all of this not because I researched it, but because I lived there.

My family had done well enough throughout the eighties that my father felt an upgrade right before the start of the nineties was in order. Our progression is a very American story: my father was born in Europe right after the war to Jewish parents who barely survived the Nazis. When they came to America, his parents worked and worked and worked until they finally found a niche-enough business, a little hole that nobody else was filling they manufactured wafer candy, produced inexpensively and sold at a low price; the boast I heard was they outsold American staples like The American Dream The Rise Of The in the eightiesand moved from the city to the suburbs.

In the seventies they eventually ended up in the Chicagoland suburb of Morton Grove, where my family finally became homeowners in America, purchasing a cool-looking modern ranch home with a cross-hipped roof and some cool midcentury flourishes.

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After my parents separated, most of my childhood was spent living all around the Chicagoland area. I Tbe shuttled between both parents' various homes, including the house in Morton Grove my grandparents had purchased a decade earlier that my father lived in for a brief time after my grandmother passed and my grandfather retired to Florida. Eventually he sold that house and settled in Long Grove.]