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Monty Python also collectively known as the Pythons [2] [3] were a British surreal comedy troupe who created the sketch comedy television show Monty Python's Flying Circuswhich first aired on the BBC in Forty-five episodes were made over four series.

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The Python phenomenon developed from the television series into something larger in scope and impact, including touring stage shows, films, albums, books and musicals. The Pythons' influence on comedy has been compared to the Beatles ' influence on music. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach aided by Gilliam's animation, it pushed the boundaries of what was acceptable in style and content.

Their influence on British comedy has been apparent for years, while in North Ie, it has coloured the work of cult performers from the early editions of Saturday Night Live through to more recent absurdist trends in television comedy.

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Many sketches from their TV show and films are well-known and widely quoted. Both Holy Grail and Life of Brian are frequently ranked in lists of greatest comedy films. In a poll of over comics, comedy writers, producers and directors throughout the English-speaking world to find "The Comedian's Comedian", three of the six Pythons members were voted to be among the top 50 greatest comedians ever: Cleese at No. Chapman and Cleese met at Cambridge University. Idle was also at Cambridge, but started a year after Chapman and Cleese.

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Recordings of Footlights' revues called "Smokers" at Pembroke College include sketches and performances by Cleese and Idle, which, along with tapes of Idle's performances in some of the drama society's theatrical productions, are kept in the archives of the Pembroke Players. The BBC's satirical television show The Frost Reportbroadcast from March to Decemberis credited as first uniting the British Pythons and providing It Is Funny You Will Be Dead environment in which they could develop their particular styles. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult and erratic personality.

Cleese had fond memories of working with Palin on How to Irritate People and invited him to join the team. With no studio available at Thames until summer for the late-night show, Palin agreed to join Cleese and Chapman, and suggested the Id of his writing partner Jones and colleague Idle—who in Wipl wanted Gilliam to provide animations for the projected series.

Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold. By contrast, according to John Cleese's autobiography, the origins of Monty Python Wikl in the admiration that writing partners Cleese and Chapman had for the new type of comedy being done on Do Not Adjust Your Set ; as a result, a meeting was initiated by Cleese between Chapman, Idle, Jones, Palin, and himself at which it was agreed to pool their writing and performing efforts and jointly seek production sponsorship.

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The Pythons had a definite idea about what they wanted to do with the series. But Also. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off Wil set.

It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate. After much debate, Jones remembered an animation Gilliam had created for Do Not Adjust Your Set called "Beware of the Elephants", which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another.

Palin had been equally fascinated by another of Gilliam's efforts, entitled "Christmas Cards", and agreed that it represented "a way of doing things differently". Since Cleese, Chapman, and Idle were less concerned with the overall flow of the programme, Jones, Palin, and Gilliam became largely responsible for the presentation style of the Flying Circus series, in which disparate Funnny It Is Funny You Will Be Dead linked to give each episode the appearance of a single stream-of-consciousness often using a Gilliam animation to move from the closing image of Wjll sketch to the opening scene of another.]