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Casting a tapered, vase-slender silhouette and speaking in a Transylvanian accent with a touch of Borscht Belt, Hotel Transylvania 's de-fanged Count Dracula is introduced in an set prologue while serenading his infant daughter. No menacing carnivore, this Nosferatu has sworn off fatty human blood, is more scared of humans than we are of him, and desires nothing more than a spot hidden away from ever-ready-to-mob villagers in which to raise his tyke — his baby-voiced, Weekend Update croon at the cradle's side ID's Adam Sandler as the Voice Of. To such an end, the Count breaks ground on Hotel Transylvania, meant to become a haven for the entire monster squad of persecuted and despised Universal Studios contract players. When we rejoin the Count a century or so later, we find his establishment's rooms booked up by Wolf Man and family, Frankenstein and Bride, Jell-O mold the Blob, and so on. It's the eve of daughter Mavis' th, which, in Dracula years, makes her a restless teenager pacing up her bedroom walls. Although Mavis is going through a goth phase — perhaps inevitably, given her lineage — she's really just a sweet Selena Gomez-voiced kid who wants to see something of the outside human world that her hyper-protective dad has forbidden to her. As with Basil Fawlty, the job of hotel manager seems to attract domestic fascists. Despite the Count's best efforts, guess who's coming to — and possibly going to become — dinner? Hotel Transylvania is full of lines with the double-meaning elasticity to serve the film's flexible metaphor, equating monsterdom with the Us versus Them segregation of your choice — though it's funniest when it just slaps its cards on the table. Hotel Transylvania is, in brief, a tract against parochial xenophobia, the count's lofty getaway a catchall filling in for gated community, ethnic ghetto, or hick backwater — whatever you like.

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He is considered to be both the prototypical and the archetypal vampire in subsequent works of fiction. He is also depicted in the novel to be the origin of werewolf legends. One of Dracula's most iconic powers is his ability to turn others into vampires by biting them. Other character aspects have been added or altered in subsequent popular fictional works. The character has appeared frequently in popular culture , from films to animated media to breakfast cereals. Bram Stoker's novel takes the form of an epistolary tale , in which Count Dracula's characteristics, powers, abilities and weaknesses are narrated by multiple narrators , from different perspectives. Unlike the vampires of Eastern European folklore, which are portrayed as repulsive, corpse-like creatures, Dracula is handsome and charismatic, with a veneer of aristocratic charm. In his conversations with Jonathan Harker, he reveals himself as deeply proud of his boyar heritage and nostalgic for the past, which he admits has become only a memory of heroism, honour and valour in modern times. Hotel Dracul Dracula And Society In Dracula

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“Hotel Transylvania”: A Comic Dracula Still Kills

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