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Book: Hamlet. The two plays by William Shakespeare, Hamlet and Othello, reflect the renaissance philosophy, with its most important schools- Plato nism, Aristotelianism and Humanism, especially in their treatment of human nature and human condition. The works of the two philosophers — Plato and Aristotle, which formed the basis of the two movements that took the names of their initiators, were reinterpreted by many scholars of the Medieval Emotions In Othello Renaissance period, and of the later periods. Platonism and Aristotelianism were opposed philosophies in their first articulation. The Platonists believed that there is a world of abstractions, the pure world of ideas.

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The characteristics of the material objects, formed an abstract world, which was moreover, the true word. For example, the Platonist school of thought implied that the material world was only a reflection of the perfect world of ideas, that is, a beautiful object is only the reflection of the idea of beauty.

Aristotle revised these ideas that Plato had first initiated, and proposed an opposed view, which Emotions In Othello based on an empirical way of knowing the world, and which constituted the first step towards natural science. The two doctrines referred obviously to both ontological and epistemological facts about the world. On the other hand, the Renaissance humanism which was actually the most characteristic philosophy for this period, emphasized the nobility of human nature, and the powers of Emotions In Othello intellect and spirit, while joining the two main philosophies — Platonism and Aristotelianism. Were humanists not troubled by his scorn for poets and rhetoricians?

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Even his renowned piety seemed out of tune with a philosophy that made matter eternal, the human soul preexistent Othelo migratory, and the gods and demons many, powerful, and worthy of worship. As the Renaissance came to know Plato better, discussion of his thought could not have been other than complex and divided, and the controversy had been prepared by an anti-Platonic tradition long sustained by pagans Emotions In Othello Christians alike. One of the greatest Emotions In Othello in Hamlet is that of individual action. As critics have observed repeatedly, on of the most essential and telling things in the play is Hamlet hesitation when he has to take definite action against the murderer.

But to see the Aristotelian Argyropoulos as champion of the active life and the Platonist Ficino as prophet of contemplative quietism is too simple.

Always urging the ascent of the soul, Ficino presented the contemplative life as the final step in a hierarchy of human action that led people to surpass the active life without utterly denying it; lived well, the active life becomes a step on the way to escaping matter and uniting with God. It was the genius of Neoplatonism to open channels between the divine and the mundane that transcended the world while preserving it as a platform for ascent to the godhead. When he is faced with the baseness of the many crimes that Emotions In Othello in his Othdllo family, Emtoions postpones taking action and revenging his click. Moreover, the revenge takes place almost accidentally at the end of the play.

What is a manIf his chief good and market if his timeBe but to sleep and feed? A beast, no more. Emotions In Othello even more poignant example of how he is repelled by the idea of a purely material world in which the spiritual realities he believes in are hardly perceptible is his unjust condemnation of Ophelia, whom he blames without proof for the frailty he sees in his own mother.]