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You are not currently logged in. Please sign in to your account to view the full course. Lecturer: Prof. John McRae — Nottingham University. Subject: English Literature. Lawrence and Franz Kafka ; xi the Loman family — Willy, Linda, Biff and Happy; xii the extent to which the members of the Loman family know themselves and each other; xiii the importance of nature and the natural world in the play, especially the theme of the loss of nature; and xiv the importance of money in the play, and the extent the play stands as a critique of untrammelled capitalism. We begin with a broad introduction to the historical, literary and cultural context, before going through the play scene-by-scene, providing close reading and detailed analysis, with commentary on character, plot, themes and motifs, language, symbolism, and more. Note: Page numbers are based on the Penguin edition of the play , ed. Christopher Bigsby.
Fair enough. By casting Willy Loman in this light, Miller is communicating a clear message: whatever flaws and quirks you will go on to see from this man, he is someone to be sympathised before he is to be judged. Nor again, that of a bad man passing from adversity Salesmann prosperity: For nothing can be more alien to the spirit of tragedy. Nor, again, should the downfall of the utter villain be exhibited.
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A plot of this kind would, doubtless, satisfy the moral sense, but it would inspire neither pity nor fear; for pity is aroused by unmerited misfortune, fear by the misfortune of a man like ourselves. Long story short, we fear that we are too much like Willy Loman. He is simply all too human, and he reminds us all too much of ourselves. Specifically, they are:.
Instead of humility and maturity, he embraces vanity metrics like popularity, fame and appearance — none of which he possesses. But the more someone talks a big game, the more he exposes his lack of game, and the quickest way to show others your inferiority is to announce that you are superior to everyone else. We should be mixing cement on some open plain, or — or carpenters. A carpenter is allowed to whistle!
They watch him. Bernard does not whistle in the elevator, I assure you. Call out the name Willy Loman and see what happens! Big shot! An average Joe. An average Willy.
Miller: Death of a Salesman
Population is getting out of control. The competition is maddening! Smell the stink from that apartment house! And another one on the other side… How can they whip cheese? Not for a second, though, does Willy reflect on the possibility that in an ever-evolving world, those who cannot adapt simply will not survive. And survive he does not — both in terms of career and existence, as he first gets laid off by Howard, the owner of the company he works at, and then commits suicide at the end so that Biff can inherit his insurance premium, but more so that he can escape from the torture of lifelong mediocrity.
But the problem with Willy is that despite the sundry voices that surround him, he never really listens to anyone, and is instead entirely consumed by the signal and the noise which continually ricochet in his head. BIFF: Stop making excuses for him! He always, always wiped the floor with you. Never had an ounce of respect for you. Not in Death Of A Salesman Tragedy Analysis own house — spewing out that vomit from his mind. Willy Loman never made a lot of money.
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His name was never in the paper. So attention must be paid. Attention, attention must be finally paid to such a person.]
It is not meaningful.
It is remarkable, rather valuable information