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Ancient Greek Word For Power. Tyrant - The ruler of a Greek city-state, a tyrant was like a king. What ancient Greek does have is a word that refers to the equipment of a soldier or warrior, whether offensive or defensive. Greek has been important in the intellectual life of western civilization, but not to the extent of Latin except for ecclesiastical matters. According to legend, Romulus, the founder of Rome, instituted the calendar in about B. Little remains of the ancient city of Sparta, capital of the Laconia region, situated on the Peloponnesus peninsula in modern Greece, but. From this basic meaning it is associated with chief or head or king or origin in one way or another. Finally, in the ancient Greek Liturgy of Constantinople, we find the word used, as acclaiming expression to a kind of chorus, apparently intended to be repeated by the congregation or assistant ministers, thus: V. He and his three siblings--Nike Victory , Bia Force and Zelus Rivalry --were the winged enforcers of the gopd Zeus, angel-like beings who stood in attendance of the heavenly throne. The word basilisk is derived from the Greek word basiliskos meaning "a kind of serpent". Power Structures in Greek History.

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6. The Structures of Power

The Greek tragedy It was a form of popular drama that was performed in the theaters of ancient Greece from the end of the 6th century BC. The existing works represent a very short period of history.

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The first works of Aeschylus were performed around BC. Both Sophocles and Euripides wrote their first works in the fifty years fromthe end of the war with Persia, tothe beginning of the Peloponnesian War with Sparta.

These fifty years was the time of Pericles, when Athens was at its peak. In addition to Aeschylus, Sophocles, and Euripides, there were dozens of other playwrights who achieved notoriety throughout classical antiquity.

Their triumphs in the festivals of the city of Dionysia appear in the records of the time and in other historical sources. In the end, it is not clear why the works of only these three Poeer playwrights have endured to the present. The truth is that these three, in particular, are considered by later generations to be of a higher class than their peers. The exact origins of the Greek tragedy are still a matter of debate among its scholars.

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Some have linked it to an earlier art form, the dramatic recitations of epic poems. Others suggest that its origin has to do with the rituals performed in the cult of Dionysus Greek mythological god of ecstasy.

In this sense, Dionysus is one of several deities whose popular cult was practiced throughout Greece. Spatially it is associated with Athens and Thebes. In fact, Dionysus came to be known as the god of the theater. On the other hand, another of the rituals indicated as the origin of the Greek tragedy were the drinking rites. In them, the devotees drank until they lost total control of their emotions and became other people, just like the actors when they performed.

For his part, the philosopher Aristotle affirmed Power Structures in Greek History the Greek tragedy developed from the dithyramb, a choral dance connected with the worship of Dionysus. It is believed that it was sung by a circular choir koros of fifty singers.

Finally, other scholars different from Aristotle attributed the origin of the tragedy to Thespis. This was a 6th century poet who introduced the speeches of an actor into choral performances. In the 5th century, Greek tragedy was represented only at wine festivals: Dionysia and Lenae both in Decemberand the Great Dionysia in March.]