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Postcolonial Literary Theory

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Neocolonialism is the practice of using economics, globalisation , cultural imperialism , and conditional aid to influence a country instead of the previous colonial methods of direct military control imperialism or indirect political control hegemony. Neocolonialism differs from standard globalisation and development aid in that it typically results in a relationship of dependence, subservience, or financial obligation towards the neocolonialist nation. This may result in an undue degree of political control [1] or spiraling debt obligations, [2] functionally imitating the relationship of traditional colonialism. Coined by the French philosopher Jean-Paul Sartre in , [3] [4] it was first used by Kwame Nkrumah in the context of African countries undergoing decolonisation in the s. When first proposed, neocolonialism labelled European countries' continued economic and cultural relationships with their former colonies, African countries that had been liberated in the aftermath of Second World War. Kwame Nkrumah , former president of Ghana —66 , coined the term, which appeared in the preamble of the Organisation of African Unity Charter, and was the title of his book Neo-Colonialism, the Last Stage of Imperialism The pamphlet frames 19th-century imperialism as the logical extension of geopolitical power, to meet the financial investment needs of the political economy of capitalism. In place of colonialism, as the main instrument of imperialism, we have today neo-colonialism. The result of neo-colonialism is that foreign capital is used for the exploitation rather than for the development of the less developed parts of the world. Colonialism Of Film And Literature

The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is Colonialism Of Film And Literature or was packaged by the manufacturer Colinialism non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. What does this price mean? This is the price excluding shipping and handling fees a seller has provided at which the same item, or one that is nearly identical to continue reading, is being offered for sale or has been offered for sale in the recent past. The price may be the seller's own price elsewhere or another seller's price.

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Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Publisher: Duke University Press. Format: Book. Helpful Links. See all 2 brand new listings. Buy It Now. Add to cart.

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About this product Product Information This reflection on colonial culture argues for an examination of "Indochina" as a fictive and mythic construct, a phantasmatic legacy of French colonialism in Southeast Asia. Panivong Norindr uses postcolonial theory to demonstrate how French imperialism manifests itself not only through physical domination of geographic entities, but also through the colonization of the imaginary. In this careful reading of architecture, film, and literature, Norindr lays bare the processes of fantasy, desire, and nostalgia constituent of French territorial aggression against Indochina. Analyzing the first Exposition Coloniale Internationale, held in Paris inNorindr shows how the exhibition's display of architecture gave a vision to the colonies that see more France's cultural prejudices, while stimulating the desire for further expansionism.

He critiques the Surrealist counter-exposition mounted to oppose the imperialist aims of the Exposition Coloniale, and the Surrealist incorporation and appropriation of native artifacts in avant-garde works. According to Norindr, all serious attempts at interrogating French colonial involvement in Southeast Asia are threatened by discourse, images, representations, and myths that perpetuate the luminous aura of Indochina as a place of erotic fantasies and Colonialism Of Film And Literature adventures.

Certain to impact across a range of disciplines, Phantasmatic Indochina will be of interest to those Literarure in the study of the culture and history of Vietnam, Cambodia, Thailand, and Laos, as well as specialists in the fields of French modernism, postcolonial studies, cultural studies, and comparative literature. Additional Product Features Dewey Edition. Acknowledgments ix Introduction: Indochina as FIction 1 1.

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Unruly Natives: The Indochinese Problem 34 3. Norindr's radical revaluation of Indochina as a fictive and mythic structure expands the scope of geographic and political concerns into the broader speculative sphere of cultural identity. Indochina becomes for him a repository of images, a space whose commemorative and iconographic character brings together literary, filmic and architectural forms of cultural evidence. Remarkable for its lucidity and finesse, Phantasmatic Indochina Literatufe one of the finest contributions to the field of post-colonial and cultural studies.

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