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Survivors of rape and sexual assault will be able to publicly identify themselves under legal reforms that passed Victorian Parliament late on Tuesday night. Families of deceased victims have also won an assurance from the state government that they will not be prosecuted for speaking about their relatives, although the legal uncertainty surrounding such cases will continue until late next year. The current standard approach to reporting horrific crimes such as the rape and murder of Jill Meagher in Melbourne in is illegal. Under a compromise hammered out between the government, crossbench MPs and the Opposition after a long and emotional debate in the Parliament's Upper House yesterday, the controversial laws that made it illegal for survivors to self-identify without a court order would be swept away. The reforms will allow a survivor to identify themselves on social media or to simply give written permission for a publisher or broadcaster to name them, and the offence committed against them, without fear of prosecution. A solution to the vexed issue of identifying deceased victims was put off until next September, when a "sunset clause", inserted into the version of the legislation on Tuesday, expires. The government says it will hold a broad consultation process in an effort to find a solution to the emotionally fraught legal impasse, with Attorney-General Jill Hennessy to promise that no family member will be prosecuted in the meantime for publicly identifying a deceased relative who had been the victim of a sexual assault. But the compromise position leaves media companies in legal limbo when reporting on such cases, with Victorian prosecutors insisting that the current standard approach to reporting horrific crimes such as the rape and murder of Jill Meagher in Melbourne in is illegal.

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While the scandal included plenty of sensational and salacious material , the core accusations involved improper quid pro quo relations between the Park administration and several chaebols—the massive, dynastically controlled business conglomerates that are the cornerstones of the South Korean economy. Following impeachment, President Park and several senior officials in her administration were arrested, tried, and convicted for a variety of offenses, including bribery, abuse of power, and coercion. In the aftermath of this massive scandal, new President Moon Jae-in swept into office with a commanding majority and a pledge to clean up the mess by instituting strong anticorruption reforms. Though President Moon announced chaebol reform as a platform priority, his actions since his election have borne little fruit. That chaebols were at the center of the Park administration scandal is neither surprising nor unusual. But neither the chaebols themselves nor their senior executives face a meaningful risk of significant liability. Even when prosecutors bring cases, chaebols and their executives benefit from judicial leniency, a phenomenon that has been documented both anecdotally and quantitatively. There are two likely explanations for this unusual and counterproductive judicial leniency toward chaebols and their executives.

Elsa is a featured articlewhich means it has been identified as one of the best articles produced by the Disney Wiki community.

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If you see a way this page can be updated or improved without compromising previous work, please feel free to contribute. This article is about the character from Frozen. For the character from Frankenweeniesee Elsa Van Helsing.

Born with the power of ice and snow, Elsa is the firstborn daughter of King Agnarr and Queen Idunathe older sister of Queen Annaand the former queen of Arendelle. Throughout most of her young life, Elsa feared that her powers were monstrous. Therefore, she isolated herself from the world as a means of protecting her family and kingdom. Elsa's anxieties would eventually trigger a curse that plunged Arendelle into an eternal winter. Through Anna's love, however, Elsa is able to An Age Of Reform Swept her powers and live peacefully amongst her people with a newfound self-confidence. Three years into her reign, Elsa is called forth to Ahtohallan to assume her rightful place as the Fifth Spirit of the Enchanted Forestwhose purpose is to bridge the magic of nature and people.

She thereby abdicates the throne, allowing Anna to rise as the new queen of Arendelle. Elsa is loosely based on the titular character of " The Snow Queen ", a fairy tale by Hans Christian Andersenand to a greater extent in terms of characterization, Kai from the same story. While the character from the original fairy tale An Age Of Reform Swept a neutral character, Elsa was rewritten as a tragic heroine whose personality and role were more closely modeled after her counterpart of Kai. Disney's decades long efforts to adapt The Snow Queen generally shared a common thread of trying The Strain Theory By Merton find a way to expand on the role of the title character and make her a more active presence in the story.

A common theme in adaptation attempts in the late s and early s was to reconfigure the story into a romantic comedy about the Snow Queen's ice-cold heart-melting as she learns to love.

One of these attempts almost went as far as to pair an aged-up Kai with the Snow Queen while vilifying Gerda. Within the development of the attempt that became FrozenElsa was originally portrayed as a dramatic, An Age Of Reform Swept villain in early drafts of the film, akin to villains of Disney's past such as Cruella De Vil in One Hundred and One Dalmatiansand Ursula in The Little Mermaidin addition to being unrelated to Anna. However, as the film's development encountered several problems, story-wise, two major changes were made; the alteration of Elsa's moral role in the story, and her relationship with Anna. Once the two became sisters, the filmmakers felt it continue reading open new possibilities for story elements, making the process of finalizing the completion of the Disney adaptation of "The Snow Queen" all the more accessible.

Elsa's link portrayal as the villain her original intended villain fO is shown in a deleted scene made An Age Of Reform Swept in the film's development depicted her as being a ruthless, bitter, cold-hearted tyrant who had an entire army of giant snowmen as henchmen who would eventually be replaced by a single giant snowman named Marshmallow. Designs for this version of Elsa included one that resembled actress Bette Midleras well as one that was modeled after the late singer Amy Winehouse.

These designs depicted her with spiky black or dark blue hair and even blue-gray skina more angular body as opposed to the final, heroic Elsa's curvaceous body and a constantly malicious smile.

Background information

Some concept art depicted her with a group of pet ermines who scurried up and down her body and formed themselves into a cloak for her. Instead of being fearful and insecure about not An Age Of Reform Swept to reveal her powers, Elsa would have been very hostile and bitter toward others and Sweph resented everyone, especially Anna, whom she was incredibly jealous of because of the royal status she held. Songwriter Kristen Anderson-Lopez stated in a interview, that Elsa's original motivation throughout the film was to freeze Anna's heart to take over the kingdom. She would have been misunderstood as "Arendelle's bane" in the original prophecy and would have redeemed herself at the last minute to save all of Arendelle from an avalanche caused by Prince Hans the real bane of Arendelle in the prophecy.

An Age Of Reform Swept

However, this did not work out very well, as it would have been difficult for her to reform if she was an outright evil villain, and after listening to the song " Let It Go ", intended to be Elsa's villain song when it was written, the writers realized that her motivations of self-empowerment and wanting to be herself was too positive to be expressed by a villain and did not fit the villain role, and as a result, instead of changing the lyrics they ended up changing the plot, and therefore the character was changed from a villainous role to an anti-heroic role seen in the actual film.

Actress and singer An Age Of Reform Swept Mullally was originally cast to voice Elsa, [8] but was replaced by Broadway actress Idina Menzelbest known for performing Elphaba from Wicked when the story changed. Menzel had previously auditioned for a lead role in the Disney animated feature film, Tangled.]