The Ugly Tourist By Jamaica Kincaid - amazonia.fiocruz.br

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The Ugly Tourist By Jamaica Kincaid Video

The people in question are the Antiguan people, and it is them who sit beneath the surface of her essay. And it is not long before these light jabs turn into bitter slap. Yet, what feels like a personal attack is never taken personally by the reader. It is this narrative technique of holding both the experience of the native and the tourist Kincaid was born in Antigua yet has spent the majority of her life in the U. S that allows us to embrace her criticisms with a degree of conscientiousness.

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In her direct, second-person address we are forced to consider our apathetic attitudes towards the people who live in the places we only visit. And it is in this moment of realisation Touist she takes us on another kind of tour, away from the plush sandy beaches and wealthy golf clubs that we may be accustomed to. She redirects our gaze to some of the historical moments of Antigua; she remembers the destructive The Ugly Tourist By Jamaica Kincaid ofthe destroyed public library, and the corruption and theft of government officials.

In the discovery of these historical moments -otherwise unseen — the tourist is changed. And perhaps there is a reality in this? That to be actively engaged in the socio-political and cultural monuments of the land, as well as its people, is an altogether more righteous pursuit than taking selfies and laying on beaches?

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But it is at this point where we must pause as readers i. For catering to the conscience of the tourist?

The tourist experience cannot be omitted, and their interaction with the land does contribute to shaping the reality of the island. Kincaid has also been criticised for shedding a poor light on Antiguans, however I feel these judgements have go here greatly misdirected. Her attack is on the political structure, and of those in power, as opposed to the everyday native people. In fact, if there is a criticism to be made on this front, it is that the native Antiguan is largely absent throughout her narrative. Kincaid points to the monuments, yes — to the library, the airport, the schools — but on no occasion are we offered the experience of the librarian, the clerk or even the schoolteacher.

A Small Place is a work of politic, and any of the everyday techniques that she utilizes in her style only work to symbolise this politic. Having left Antigua at age 17, Kincaid is working from a distance, and this is always felt throughout her text.

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It is perhaps what separates her work from many of her Caribbean contemporaries such as Derek Walcott or Edward Kamau Brathwaite. Where there is a sense of interior in their work — of understanding the psychological, inner-world of their characters — the people of Antigua serve as monikers for Kincaid; as a repressed, symbolic body largely absent from the narrative of Antigua. It is this sense of distance that creates the greatest irony in A Small Place. Not only does it miss the opportunity to represent the native, it also has the ability to pacify the tourist.

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Yes, we are aware of the many injustices, of the corrupt politicians and of the swindling businessmen, but there is a sense of apathy that we are liable to embrace in the face of this over-familiar reality. For all of its wonderfully engaged polemic, A Small Place, I fear, risks becoming just another political statement all too easy to forget. Margins Page is Tourlst play on its very words.]