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The purpose of a horror story is to entertain and scare the reader into believing that fictional stories could happen in real life. The ending to a horror story can either make the story or break the story, leaving the author with the task of creating an ending as horrifying as the story that was just read. The different endings are shown throughout four different. In The Monkey's Paw written by W. Jacobs and The Red Room written by H. Wells, there are many similarities and differences in the ways the stories are written and suspense created. For example, both stories belong to the horror genre where the supernatural appears due to human interferences, and both have a fast and frantic climax where the characters' lives are put in jeopardy. Short Story Endings In Short Stories

A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a single effect or mood.

How is suspense created and maintained in The Monkey's Paw and The Red Room?

The short story is one of the oldest types of literature and has existed in the form of legendsmythic talesStorifs talesfairy talesfables and anecdotes in various ancient communities across the world. The modern short story developed in the early 19th century. The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novelbut typically to a lesser degree.

Determining what exactly separates a short story from longer fictional formats is problematic. Some authors have argued that a short story must have a strict form.

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Somerset Maugham thought that the short story "must have a definite design, which includes a point of departure, a climax and a point of test; in other words, it must have a plot ". This view is however opposed by Anton Https://amazonia.fiocruz.br/scdp/blog/work-experience-programme/my-first-visit-with-a-wooden-doll.php who thought that a story should have neither a beginning nor an end.

It should just be a "slice of life", presented suggestively. Short story writers may define their works as part of the artistic and personal expression of the form. They may also attempt to resist categorization by genre and fixed formation. Short stories have deep roots and the power of short fiction has been recognized in modern society for hundreds of years.

As William Boydthe award-winning British author and short story writer has said:.

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Longer stories that cannot be called novels are sometimes considered " novellas " or novelettes and, like short stories, may be collected into the more marketable form of "collections", often containing previously unpublished stories. Sometimes, authors who do not have the time or money to write a novella or novel decide to write short stories instead, working out a deal with a popular website or magazine to publish them for profit. In terms of length, word count is typically anywhere from 1, to 4, for short stories, however some have 15, words and are still classed as short stories. Stories of Short Story Endings In Short Stories than 1, words are sometimes referred to as "short short stories", or " flash fiction ". Short stories have no set length. In terms of word count, there is no official demarcation between an anecdotea short story, and a novel. Rather, the form's parameters are given by the rhetorical and practical context in which a given story is produced and considered so that what constitutes a short story may differ between genres, countries, eras, and commentators.

A Short Story : The Purpose Of A Horror Story

As a point of reference for the genre writer, the Science Fiction and Fantasy Writers of America define short story length in the Nebula Awards for science fiction submission guidelines as having a word count of fewer than 7, words.

The precursors of Stoies story were legendsmythic talesfolk talesfairy talesfables and anecdotes which were present in various ancient communities across the world. These short pieces existed mostly in oral form and they were transmitted from one generation to another in oral form.

A large number of such tales are found in ancient literature, from the Indian epics the Ramayana and the Mahabharata to the Homeric epics the Iliad and the Odyssey. The Arabian Nightscompiled for the first time probably in the eighth century, is also a storehouse of Middle Eastern folk tales and fairy tales.

Emerging in the 17th century from oral storytelling traditions and above-mentioned written works of the ancient times which themselves are based on oral traditionsthe short story has grown to encompass a body of work so diverse as to defy easy characterization. With the rise of the realistic novel, the short story evolved in a parallel tradition, with some of its first distinctive examples in the tales of E.]