Machismo In Gabriel Garcia Marquezs Chronicle Of - amazonia.fiocruz.br

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The story occurs in the early twentieth century in Latin America a place where family and honor are highly regarded, they are essential in order to achieve social respect. Santiago Nasar is a wealthy bachelor of Arab descent who lives in the Colombian village in which the story takes place, he is one of the main characters and the murder victim. He is definitely a flat character mainly because his type is well established and defined as a seducer, womanizer and a symbol of machismo. From this advance in the event in which the story will culminate the reader can conclude that he will be the victim of an assassination. It is the sole preoccupation of the pages in between. Machismo In Gabriel Garcia Marquezs Chronicle Of

Machismo In Gabriel Garcia Marquezs Chronicle Of Video

Chronicle of a Death Foretold Part 1 Audio 3 18 15 9 51 PM

The magical realism it is a narrative strategy used mainly by Latin American writers. It is characterized by the inclusion of fantastic or mythical Machismoo in an apparently realistic fiction. Some scholars define it as the logical result of postcolonial writing. They affirm that, through magical realism, the facts are posed in at least two separate realities: that of the conquerors and the conquered.

On the other hand, other scholars explain that it differs from pure fantasy, mainly because it is set in a normal and modern world. His descriptions of humans and society in general are authentic. Its objective is to take advantage of the paradox of the union of opposites; then, it challenges binary oppositions like life and death, or the pre-colonial past versus the post-industrial Ib. Thus, this narrative strategy involves the fusion of the real and the fantastic.

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The presence of the supernatural in magical realism is opposed to European rationality, amalgamating realism and fantasy. On the other hand, Chrpnicle critics maintain that it offers a vision of the world that is not based on natural or physical laws, nor on objective reality. However, the fictional world is not separate from reality either. Now, there is coincidence that magical realism is an expression of the reality of the New World. It is a combination of rational elements of a European civilization and irrational elements of a primitive America.

Some terms that have been used to describe magical realist writing in different parts of the world are: wacky realism, fabulism, interstitial writing, unrealism, the wonderful real, magicorealism, the wonderful reality, McOndo, mystical realism, mythical realism, new wave, postmodern writing, realistic magicism, slipstream and social realism. The term magical realism was first coined in by Franz Roh, a German art critic. He used it to describe a painting style of his time that pictorially depicted the enigmas of reality.

A few years later, in the s, the concept crossed the ocean into South America.

Gabriel Garcia Marquez

There it was adapted to the field of Machismo In Gabriel Garcia Marquezs Chronicle Of and was popularized by Latin American authors. These writers combined Roh's original theories of magical realism with French surrealist concepts of the marvelous and their own indigenous mythologies. Like its painting counterpart, the frame of reference for this style of writing was exotic natural surroundings, native cultures, and here political histories.

In Alejo Carpentier wrote an essay on this topic. Influenced by it, in the s several Latin American authors adopted the style, combining it with French surrealist concepts and folklore. So the movement became an international phenomenon. Later, writers such as Isabel Allende Chile and Laura Esquivel Mexico became part of the later developments of this narrative style.

With their contribution they contributed to giving a new approach to women's problems and perceptions of their reality.

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While Hispanic writers were, and still are, a great influence on modern realistic magical literature, the style is not limited to a specific time or place. In fact, writers around the world go here embraced and adapted magical realism, molding it Chronile their own cultures and within their own frame of reference. For example, Chronidle American and British literatures magical realism has been a popular genre since the s. It has also been an important branch of postmodernism; Franz Kafka author of Metamorphosis is considered a precursor of the genre, despite the fact that for its time the term magical realism was not yet used. In magical realism literature the most fantastic and wild things are told in a very practical way. Everything is described as if it were ordinary real life situations.

This makes the fantastic elements of the story seem more realistic: the events are told as if they could actually happen. Machismo In Gabriel Garcia Marquezs Chronicle Of

In magical realism the intention is to combine opposites. The fantastic is mixed with the mundane, the ordinary with the extraordinary, life in dreams with life in waking life, reality and unreality. Magical realism writers are often inspired by and borrowed from all sorts of myths.]