Think: Han Dynasty Classicism
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Tickets are limited. Han Gan Chinese. A leading horse painter of the Tang dynasty, Han Gan was known for capturing not only the likeness of a horse but also its spirit. This painting, the most famous work attributed to the artist, is a portrait of a charger of Emperor Xuanzong r. With its burning eye, flaring nostrils, and dancing hoofs, the fiery-tempered horse epitomizes Chinese myths about Central Asian "celestial steeds" that Han Dynasty Classicism blood" and were actually dragons in disguise. The seals and inscriptions added to the painting and its borders by later owners and appreciators are a distinctive feature of Chinese collecting and connoisseurship.
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The addition of more than one thousand years of seals and comments offers a vivid testimony of the work's transmission and its impact on later generations. The acquisition of this image, arguably the greatest equine portrait in Chinese painting, marked the Director's early commitment to revitalizing the Department of Asian Art under the curatorial leadership of Wen Fong source with the dedicated support of trustee Douglas Dillon. Public Domain. This artwork is meant to be viewed from right to left.
Scroll left to view more. Title: Night-Shining White. Artist: Han Gan Chinese, active ca. Han Dynasty Classicism
The Han Dynasty
Period: Tang dynasty — Date: ca. Culture: China. Medium: Handscroll; ink on paper. Classification: Paintings. Accession Number: Timelines China, A. Many Worlds. The Metropolitan Museum of Art. Visiting an exhibition? Night-Shining White ca. Listen Play or pause. Night-Shining White.
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Supported by Bloomberg Philanthropies. Inscription: No Artist's inscription, signature, or seal Other inscriptions[1] 1. The horse he painted neighs under a clear moon, While standing alone in the chilly wind. The horse's temper DDynasty not to be controlled by a golden bridle, And it does not even care about an embroidered saddle.
Even for a master painter like Cao Ba active 8th c. Imperially inscribed in the middle winter month of the bingyin year in the Qianlong reign era Dec. Among his students, only Han Gan learned the essence of his art.
The important thing in painting horses is to convey their spirit. This gives them a life-like appearance. A master hand likes to depict celestial horses; To paint a lame one would be wasting ink. We can see how [Han Gan] learned from Han Dynasty Classicism tutor. The poet Du [Fu, —] was not Dynazty when he commented on Han's works. What a pity! Du Fu's comments were not all preserved; Only fragments remain and invite further study.]
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