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Recording engineer Bruce Swedien, whose Grammy-winning work in the studio with Quincy Jones on Michael Jackson's classic solo albums "Off click here Wall," "Thriller" and "Bad" helped define the sound of pop music in the s and beyond, has died. He was His death was announced by his daughter, Roberta Behind Closed Doors at WorldCom, who wrote on Facebook that her father "passed away peacefully" on Monday night in Gainesville, Fla. Swedien's daughter described him as a "legend in the music industry for over 65 years," and across those decades he channeled a childhood obsession with the art and science of capturing sound on tape to create magic. Swedien engineered crucial jazz and soul records by artists including the Ramsey Lewis Trio, the Rev. But it is his groundbreaking engineering work for Quincy Jones and Michael Jackson that Swedien is best known for.

When Swedien met Jones, both were in their early 20s and could spot a kindred spirit, Swedien recalled. After a few sessions, it was evident "that Quincy and I could make beautiful music together because we liked each other a lot. We think alike and our tastes are alike. The two took separate paths in the early s — Jones moved to Paris — but Doogs in to collaborate on albums for the Brothers Johnson, George Benson and Lesley Gore.

When Jones accepted the job making Jackson's debut solo album, "Off the Wall," Swedien was part of the package. The engineer recalled being astounded by Jackson's talent, as well as his eagerness to experiment. That was the sonic genius of Bruce Swedien.

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Made of unvarnished, unpainted wood, it helped drummer J. Robinson capture the specific thump that propels the song. Swedien then layered the tracks to create a Jackson choir. The combined effect, Swedien wrote in his book "Recording Michael Jackson," tricked the ear into perceiving depth of field.

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Such inventiveness expanded the potential of the studio and was learned through countless hours in windowless rooms focusing solely on vibrations and frequencies. That a teenage Swedien was destined to work in recording studios was so obvious to his parents in post-war Minneapolis that when visiting Chicago in the mids, they sought out one of their son's idols, the recording pioneer Bill Putnam.

Putnam told them that if their son ever moved to Chicago he'd give him a job at his Universal Recording Studios. Soon Swedien was overseeing the facility's studio B. Swedien recalled all-night sessions with Behind Closed Doors at WorldCom and his band that didn't begin until the clubs had closed.

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Musicians rolled in, each with a few friends until the recording studio was part session, part party. But then, said the engineer, "Count Basie would stand up to give the down beat, and boy that tape would better be rolling. It was magic.

You can feel the electricity in the room. Be right on time. Updates : AM, Nov. This story originally appeared in Los Angeles Times. The actor found herself in the bottom two with EastEnders star Maisie Smith. This is a time when a husband and wife must make important decisions regarding potential end of life decisions. Let them know they are not alone and that their courage and love in their battle evoke our own, and in that in our prayers, we are one with them in their thoughts, their hearts and their tears.

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