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Malcolm X AND THE BLACK ARTS MOVEMENT

The Black Arts movement was one of the only American literary movements to merge art with a political agenda.

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Because poems were short and could be recited at rallies and other political activities to incite and move a crowd, poetry was the most popular literary genre of the Black Arts movement, followed closely by drama. Although the Black Arts movement began its decline during the mids, at the same time as the Black Power movement began its descent, it introduced a new breed of black poets and a new brand of black poetry. It also inspired and energized already established poets like Movment brooks and Robert hayden. The Black Arts movement created many poetic innovations in form, language, and style that have influenced the work of many of today's spoken word artists and socially conscious rap lyricists.

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Movemeht number of important African-American playwrights, fiction writersand scholars The Black Of Black Arts Movement made significant contributions to the Black Arts movement, creatively as well as philosophically and theoretically, by defining and outlining the objectives and criteria of the movement and its "black aesthetic. Several publishing houses and workshops were founded during the period of the movement, and several magazines and journals click to see more, all of which provided a vehicle for the literary work of Black Arts poets. Literary publications, such as Freedomways, Negro Digest later renamed Black Worldthe Black Scholar, the Journal of Black Poetry, and Liberator, brought Black Arts movement poets to a larger audience when more established publications rejected their work.

Two important publishing houses—Dudley Randall's Broadside Press in Detroit and Madhubuti's Third World Press in Chicago—were also instrumental in helping to introduce new click and to disseminate their work.

Umbra Workshopcomposed of a group of black writers, produced Umbra Magazine and gained significance as a literary group that created a distinct voice and often challenged mainstream standards concerning literature. The Black Power movement, from which the Black Arts movement derived, sought to empower African-American communities economically and Atrs by relying solely on resources within the black community.

It also sought to celebrate blackness and restore positive images of black people from the negative stereotyping that took place in the larger society. Thus slogans, such as "Black Is Beautiful," were prominent during the time. Martin Luther King, Jr.

Moreover, "black cultural nationalism," the belief that blacks and whites had two separate worldviews and outlooks on life, was a prominent idea in both the Black Power and the Black Arts movements. As a result, Black Arts movement writers experimented with methods of artistic expression that were characteristic of African-American culture and experience.

First all of the poetry was infused with a certain level of black consciousness, meaning that its subjects and themes reflected the quality and character of black experience. In form, Black Arts movement poets often rejected standard English in favor of Black English, a more colloquial and vernacular language and syntax.

They peppered it with street slang and idiomatic phrases that were simple, direct, explicit, and often irreverent. In addition the poetry borrowed greatly from black music, using rhythmical effects from jazz and blues, as well as from other forms of black oral speech, such as sermons, folktales, signifying an intricate, humorous language style that uses indirection, innuendo, puns, metaphors, and The Black Of Black Arts Movement wordplay to persuade, argue, send a message, or insultand the dozens a form of signifying that involves trading insults, primarily about a person's relatives. Other common features of the poetry include free verse, short line lengths, call-and-response patterns, chanting, and free rhyming. The Black Arts movement had much in common with another period of increased artistic production among African-American writers—the harlem renaissance of the s.

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During both periods, there was an increased interest in establishing a more assertive black collective identity than had previously existed during the MMovement Renaissance, it was called "the New Negro" and in searching for ethnic identity and heritage in folk and African culture. Thus poets from both periods experimented with folk elements, such as blues, spirituals, and vernacular idioms in their poetry, and venerated Africa. However, despite these similarities, many Black Arts movement writers were critical of the objectives of the Harlem Renaissance, believing it had failed to link itself concretely to the struggle of the black masses.]