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Social Class Systems During The Nineteenth Century Video

Social Classes: Victorian England

One law specifically, the New Poor Law Social Class Systems During The Nineteenth Centuryirrevocably marred the already grim atmosphere that engulfed a poverty-stricken England in the 19th century. The middle and upper classes denounced the system of relief that was in place for the poor at the Nineteenht, as, they believed, they were merely creating or perpetuating the cycle of further stagnancy amongst the lower classes, encouraging them to continue to avoid work rather than seek it. Despite the fact that these were mere speculations from the upper class, once the New Poor Law was established due to the complaints inover workhouses were built throughout the course Durng the next 50 years, wherein the conditions were so deliberately horrendous that only those desperate enough to leave their homes and voluntarily enter the workhouses to receive help would—but they were far and few between. Therefore, many of those that genuinely required assistance, opted out of the only option available to them via the workhouses, because they refused to subject themselves to an even harsher setting then the ones they were already well accustomed to.

How does Dickens say what he wants to say about the new poor law in such a way as to make it appeal to a wide audience across social classes?

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From the standpoint https://amazonia.fiocruz.br/scdp/blog/woman-in-black-character-quotes/black-panther-party-essay.php a writer, Dickens chose to write this novel with the intention of making Oliver a familiar, sympathetic figure who the public would easily recognize. The judge is so old that he is almost blind, indicating his incompetence, but he still manages to recognize the injustice in the situation at the last possible moment. This indicates that Dickens gives room for the reader to realize that there Bottle Case potential in the upper class.

Dickens Centuey appeals to the lower class by his critical portrayal of those in power, but this moment shows that the upper class has the potential to be part of the solution to the injustice present in Victorian England. Group 1 is undoubtedly correct that Dickens appeals to the upper class by his sympathetic characterization of the magistrate, however, by saying what he wants to say about the new Cwntury law, Dickens does not appeal to all classes.

Dickens harshly criticizes the New Poor Law by his use of cruel, hypocritical, and quite despicable characters who represent the middle and upper classes specifically the people of the parish like Mr. In fact, his appalling and severe characterizations of the actions of the parish would surely repulse the middle and upper class divisions as opposed to allure them.

As group 1 asserts that by appealing to the upper classes, Dickens portrays an optimistic view that the upper class can help diminish the suffering of the poor; in his callous depiction of the parish, he identifies the parish employees as the root of the problem, stressing that in order to help the poor, changes must be made to the parish.

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Dickens uses dark humor as a tool, which can be manipulated in order to appeal to both the lower and upper classes. By using satirical language, Dickens appeals Social Class Systems During The Nineteenth Century the cynicism of the lower classes with regard to their perception of the upper class and its lack of sensitivity towards their plight. The humorously half-blind magistrate has to fumble around for all the documents that he needs to refer to.

His lethargic actions and fortuitous fumbling do not render him blind to the true plight of children like Oliver who suffered in silence for most of their lives. The sheer scandal that his timid request is met with could be construed as a commentary on the harshness of the Poor Laws and their absolute injustice towards the children who suffered in the workhouses. As a group, we feel that Dickens juxtaposes the innocence of Oliver with the harshness of the wealthy upper class in order to provide a voice for the lower, underprivileged class and to incite societal change in their favor. To begin, Dickens writes about the birth and upbringing of Oliver Twist in great length. By using a baby as the protagonist, who cannot be anything but innocent from the womb, Dickens draws upon the sympathies of his readers. Bumble from the wretched home where one kind word or look had never lighted the gloom of his infant years.

Oliver Twist works on two levels as it follows its titular orphan through a caricature of Victorian England. On the first, it provides a cathartic outlet for the lower-class members of society by presenting a story in which a boy as badly off as they are eventually gets his happy ending, all the while encountering people in positions of authority at whom Dickens pokes endless fun. The poor English workers were not the only ones reading Oliver Twist, and that is where the satirical elements of the novel come in.

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Good satire, to quote myself, is a presentation of the truth with a slight garnish of hyperbole. As some of those readers might have been seeking elected office, it would have behooved them to take note of the issues presented in Oliver Twist, concerns that could gain or lose them a working-class constituency. Your email address will not be published. This site uses Akismet Centtury reduce spam. Learn how your comment data is processed.

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