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In sharp contrast to Romanticism, everyday things characterized the writing of this time period. The use of authentic settings, relatable characters, and plotlines made realism what it was. In order to support the goals of these works, authors, for the first time, created stories that truly represented class and gender. The topics of class and money. To understand Surrealism, we must first look at Dadaism, the art movement from which Surrealism stems. Dadaism was an international artistic and literary movement which began in and lasted until the mid s. Artists involved in the Dada movement were experimental and controversial. They constantly pushed and broke the boundaries of what art is defined as and what art-making could be. They used chance based procedures and unconventional materials such as collages and photo-montages created. McKay The Literary Movement of Transcendentalism

Miles of Stare explores the problem of nineteenth-century American literary vision: the strange conflation of visible reality and poetic language that emerges repeatedly in the metaphors and literary creations of American transcendentalists.

And why, furthermore, she asks, despite its insistent empiricism, is this notorious eye also so decidedly not an eye? What are the ethics of casting a boldly equivocal metaphor as the source of a national literature amidst a national landscape fraught with slavery, genocide, poverty, and war? These questions are central to the work of many source authors writing in the wake of transcendentalism, and Kohler offers examples from The Literary Movement of Transcendentalism writings of Douglass, Hawthorne, Dickinson, Howells, and Jewett that form a cascade of new visual metaphors that address the irreconcilable contradictions within the transcendentalist metaphor and pursue their own efforts to produce an American literature.

Tracing this metaphorical conflict across genres from the s through the s, Miles of Stare illuminates the divergent, contentious fates of American literary vision as nineteenth-century writers wrestle with the commanding conflation of vision and language that lies at the centre of American transcendentalism- and at the core Transcendentaliam American national identity.]