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Francesco Solimena was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Francesco Solimena was born in Canale di Serino, province Avellino. He received early training from his father, Angelo Solimena, with whom he executed a Paradise for the cathedral of Nocera and a Vision of St. Cyril of Alexandria for the church of San Domenico at Solofra. He settled in Naples in , there he worked in the studio of Francesco di Maria. By the s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the s through the first four decades of the 18th century. He modeled his art—for he was a highly conventional painter—after the Roman Baroque masters, Luca Giordano and Giovanni Lanfranco, and Mattia Preti, whose technique of warm brownish shadowing Solimena emulated. Solimena painted many frescoes in Naples, altarpieces, celebrations of weddings and courtly occasions, mythological subjects, characteristically chosen for their theatrical drama, and portraits.

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The Assumption of the Virgin Mary by Saint John Damascene The Assumption of the Virgin.

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The cathedral was built in sections from to [3] around the original church that was constructed soon after the Spanish conquest of Tenochtitlaneventually replacing it entirely. Spanish architect Claudio The Assumption of the Virgin Arciniega planned the construction, drawing inspiration from Gothic cathedrals in Spain. Due to the long time it took to build it, just under years, virtually all Assumptiion main architects, painters, sculptors, gilding masters and other plastic artists of the viceroyalty worked at some point in the construction of the enclosure. This Assumptoin condition, that of its extensive period of construction, allowed the integration into it of the various architectural styles that were in force and in vogue in those centuries, including the GothicBaroqueChurrigueresqueNeoclassical styles.

The same situation allowed the cathedral to include different ornaments, paintings, sculptures and furniture in its interior. Its realization meant a point of social cohesion, because it involved the same ecclesiastical authorities, government authorities, different religious brotherhoods as many generations of social groups of all classes.

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It is also, as a consequence of the influence of the Catholic Church on public life, that the building was intertwined with events of historical significance for https://amazonia.fiocruz.br/scdp/blog/woman-in-black-character-quotes/the-freedom-of-the-world.php societies of New Spain and independent Mexico. The cathedral faces south. It consists of two bell towersa central domethree main portals.

The two bell towers contain a total of 25 bells. The tabernacle, adjacent to the cathedral, contains the baptistery and serves to register the parishioners. There are five large, ornate altars, a sacristya choir, a choir area, a corridor and a capitulary room. Fourteen of the cathedral's sixteen chapels are open to the public. Each chapel is dedicated to a different saint or saints, and each was sponsored by a religious guild.

The chapels contain ornate altarsaltarpiecesretablospaintings, furniture and sculptures. The cathedral is home to two of the largest 18th-century organs in the Americas.

There is a crypt underneath the cathedral that holds the remains of many former archbishops. Over the centuries, the cathedral has suffered damage. A fire in destroyed a significant part of the cathedral's interior.

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The restoration work that followed uncovered Asshmption number of important documents and artwork that had previously been hidden. Although a solid foundation was built for the cathedral, [9] the soft clay soil it is built on has been a threat to its structural integrity. Restoration work beginning in the s stabilized the cathedral and it was removed from the endangered list in The main door was probably Renaissance style.]