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Get Book. Information is that which exists between elements; bodies are the elements themselves. One is abstract the other corporeal.

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Hixtory is intricately involved in signs and syntax, the other in cells and organs. Yet in the last few decades, it has become increasingly clear that this conceptual wall leaks--bodies and information will not stay separate from one another. Data have become flesh just as flesh has become data. Semiotic Flesh marks an important contribution to the emerging field of information studies, providing multiple perspectives on the implications of burgeoning information technologies and biotechnologies.

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The essays and responses in this volume focus on the sites where flesh and information productively intermingle, including the strange connections between Semiotics in Art History and DNA research, the implications of computer-assisted surgery, and the role of the human body in virtual reality installations. Data Made Flesh is the first collection to address the increasingly important ln between information and embodiment, at a moment when we are routinely tempted, in the words of Donna Haraway, "to be raptured out Histoyr the bodies that matter in the lust for information," whether in the rush to complete the Human Genome Project or in the more info to clone a human being. This book sends a humanistic message by indicating the power of inexhaustible human imagination that empowers individuals to strive for knowing the unknown, checking limits of their abilities and challenging distancing and at the same time, Semiotics in Art History and semiotically engaging undistancing and recreating their heritage cultures.

It provides theoretical elaborations and innovations through the example of the case study of Georgian society and particular cases of proculturation.

The theoretical and empirical explorations of proculturation experiences allow ways of tracing the rebuilding of the bridges between psychological and anthropological sciences, paving a path towards transdisciplinary approaches. This book will be of great interest to academics, researchers and post-graduate students in the fields of social psychology, semiotics and multicultural studies. A resurgence of interest in flesh, especially in art, has led to a politics of abjection, completely changing traditional aesthetics, and is now giving light to an alternative Semiotics in Art History about the body in architecture. This book is dedicated to a future vision of the body in architecture, questioning the contemporary relationship between our Human Flesh and the changing Architectural Flesh.

Historyy seeks to challenge a common misunderstanding click skin as a flat and thin surface. In a time when a pervasive discourse about the impact of digital technologies risks turning the architectural skin ever more disembodied, this book argues for a thick embodied flesh by exploring architectural interfaces that are truly inhabitable.

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Different concepts of Flesh are investigated, not only concerning the architectural and aesthetic, but also the biological aspects. The latter is materialised in form of Synthetic Neoplasms, which are proposed as new semi-living entities, rather than more commonly derived from scaled-up analogies between biological systems and larger scale architectural constructs. Hybrid technologies and interdisciplinary work methodologies are thus required, and lead to a revision of our current architectural practice.]