Melancholy By Carina Del Valle Schorske - something
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| Melancholy By Carina Del Valle Schorske | 3 days ago · Carina del Valle Schorske @FluentMundo backup dancers, petroglyphs, missing family albums, rent controlled apartments, güiros y panderos, out of print poetry, broken spanish, west coast ricans, fake debts, black flags, and the mothers of great modernists: endless feeling 4 mi gente ⚡️🌺🖤🇵🇷 e n d l e s s #bookdeal. 13 hours ago · Trump's Defeat Comes With A Healthy Dose of Paranoia for Black Folks | Maia Niguel Hoskin, Ph.D. in ZORA Stories for blogger aja. Because of. Oct 28, · Melancholy, By Carina Del Valle Schorske Words | 4 Pages “Melancholy,” written by Carina del Valle Schorske, presents the reader with the mystery of melancholy and its relation to clinical depression—a relevant, urgent issue that should indeed be addressed. However, the mystery remains unsolved as the piece progresses, and not in a. |
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Battling empire with eros, his poems examine what it means to call a place home, the literal and figurative ruins of colonialism, and how we corroborate our own life assignment. Maldonado is no stranger to the slew of life assignments that dovetail with the literary.
Sarah M. Sala I love the title The Life Assignment. Vakle was at a residency in Massachusetts two years ago when I felt like The Life Assignment conducted a current of electricity or energy—something I had to work with and toward. The fact that energy must stick to the laws and the negotiations of thermodynamics—that energy seems, from my understanding of it, to perpetuate itself in something like order and disorder—has always struck me as part of how I saw myself in the world.
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Which got me thinking, could Puerto Rico be a country when it is subject to the laws of another one—a country that speaks and thinks in another language? SS Often, love, longing, and tenderness collide with empire, colonialism, and capitalism in your writing. How do your intersecting identities inform your work? RAM This is a good question—early readers of my work had difficulty locating Eros in it.
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I like to think that my work exists in a world where love exists, love as a redeeming force. The act of reading is in many ways a radical act of love.
I am a writer because I am Puerto Rican. I am a poet because I am a queer Puerto Rican. Growing up in a Catholic country and not having language for that essence of me makes the country a site of complex emotions—including frustration, love, and deep despair. Poems allow for all those complexities to happen in a line. SS The way you move beyond pure translation in the collection is transcendent—some poems contain purposeful moments of mistranslation.
And if so, in which language? Whose tongue?
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If language is an invitation to find yourself in a context where your life experience—your life assignment—may be shared with someone else, what vocabulary will they understand? SS Yes!
Were you compelled to begin writing first in English or Spanish? The process of writing poems in Spanish came late to me. I was looking at my manuscript around that time—all the many versions of it I had accumulated over the years, at what seemed like its disorder and lack of an anchoring form, one that would let me write the poems I had to write. Then realized I had written a poem in Spanish the day after the Pulse nightclub shooting, and remembered that a substantial number of those who were gunned down were from Puerto Rico.
Schlrske of Melancholy By Carina Del Valle Schorske Puerto Rican poets in the diaspora, some of us born and raised in the archipelago, others here. Within days, I knew I had to write a poem in Spanish for them. I knew that it also had to be a poem for my family and close friends. SS How did returning to Spanish impact your process? RAM Spanish came at Cariina time of desperation—of panic. First after the heart break of Pulse. Since MarchI have written fourteen poems in as many weeks. The engine of this work is the potentially devastating illness, the pandemic.]
Please, keep to the point.
Yes, you have correctly told