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Analysis of Juliet from 'Romeo and Juliet'

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Either your web browser doesn't support Javascript or it is currently turned off. In the latter case, please turn on Javascript support in your web browser and reload this page. Varying this parameter makes it possible to magnify differences between different texts at specific scales of the corresponding word frequency spectrum. Here, this approach is systematically and empirically studied by analyzing the lexical dynamics of the German weekly news magazine Der Spiegel consisting of approximately , articles and ,, words that were published between and We show that, analogous to most other measures in quantitative linguistics, similarity measures based on generalized entropies depend heavily on the sample size i. We argue that this makes it difficult to quantify lexical dynamics and language change and show that standard sampling approaches do not solve this problem. We discuss the consequences of the results for the statistical analysis of languages. At a very basic level, the quantitative study of natural languages is about counting words: if a word occurs very often in one text but not in a second one, then we conclude that this difference might have some kind of significance for classifying both texts [ 1 ]. If a word occurs very often after another word, then we conclude that this might have some kind of significance in speech and language processing [ 2 ].

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The article provides a linguistic understanding of the types and functions of lexical repetition in the poetry of Yuri Arabov. An analysis of the linguistic features of his poems demonstrates that lexical repetition in most cases performs an expressive function, but it can perform both an appellative and an expressive-appellative function. With the help of repeated nomination and syntactic parallelism, the poet achieves greater expressiveness, creating various stylistic effects: contrast, automatization, and deautomatization of perception. Connotative elements of the semantics of words repeated by the poet cause them to perform special pragmatic functions. None declared. Your email address will not be published. Cite Copy the reference manually or choose one of the links to import the data to Bibliography manager. Jamalova, M. Culturology] — M. A Lexical Pragmatic Analysis of Proverbs in.

This paper consists of an analysis of the expressive secondary interjections found in the film Four Weddings and a Funeral and their equivalents in the Spanish and Catalan dubbed versions.

A Lexical Pragmatic Analysis of Proverbs in

The contrastive analysis of the interjections in the original English version compared with the Spanish and the Catalan dubbed versions shows that the strategies followed by the translators are different: literal translation is far more frequent in Spanish than in Catalan. Literal translation often implies an error that is pragmatic in nature since it derives from the misunderstanding of the pragmatic meaning that the interjection conveys. Interjections have been generally defined as a peculiar word class, peripheral to language and similar to nonlinguistic items such as gestures and vocal paralinguistic devices see Ameka ; Cuencaa; Goffman In addition to the theoretical and descriptive challenges that interjections A Lexical Pragmatic Analysis of Proverbs in, they can be associated with important problems for translation, since many languages share identical or similar forms or word-formation processes, but the conditions of use of the interjections are not the same.

In this paper I present an analysis of the expressive secondary interjections found in the film Four Weddings and a Funeral and their equivalents in the Spanish and Catalan dubbed versions [1]. A Lexical Pragmatic Analysis of Proverbs in contrastive analysis of the expressive secondary interjections in the original version in English compared with the Spanish and the Catalan learn more here versions shows that the strategies followed by the translators are different: non-identification and literal translation is far more frequent in the Spanish version than in the Catalan version [2]. Interjections are idiomatic units or routines syntactically equivalent to a sentence:.

Interjections are a peculiar part of speech whose form corresponds to a word i. Translating interjections is not a matter of word translation. It implies translating discourse meanings which are language-specific and culturally bound. The translator must interpret its semantic and pragmatic meaning and its context of use, and then look for a form interjection or not which can convey that meaning and produce an identical or similar effect on the audience of the dubbed version [4].

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Interjections are generally classified in two groups: primary and secondary. Primary interjections are simple vocal units, sometimes very close to nonverbal devices. In this case, the main problem for translation is the existence of identical or similar forms cross-linguistically whose conditions of use and frequency may not coincide.

A Lexical Pragmatic Analysis of Proverbs in

The example in 1 shows the English interjection oh translated into Spanish as oh and Prkverbs ai in Catalan. The written form oh exists, with different pronunciations, in the three languages, and it exhibits similar expressive meanings. However, its frequency and context of use are different in the three languages and, as a consequence, the literal translation of the form can result in a pragmatic error. Secondary interjections are words or phrases which have undergone a semantic change by pragmaticization of meaning and syntactic reanalysis, in other words, they are grammaticalized elements [5].

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It must be noticed that secondary interjections can combine click a primary interjection 3 or with an affirmation or a negation 4. PPragmatic combinations exhibit a specific behavior in translation, they will be considered separately for the analysis.

Interjections are highly language-specific and, as a consequence, literal translation often leads to pragmatic errors. Many languages share identical or similar forms or word-formation processes, but the conditions of use of the interjections are not the same, as shown in example 1.

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As Baker 65 points out, there are two major problems for translating any idiomatic unit, namely, identifying a sequence as idiomatic and finding its equivalent [6]. Therefore, the basic problem that idiomatic and fixed expressions pose in translation has to do with two main areas: the ability to recognize and interpret an idiom correctly; and the difficulties involved in rendering the various aspects of meaning that an idiom or a fixed expression conveys into the target language [7]. Most secondary interjections exhibit these two problems. Secondary interjections, Analjsis grammaticalized items that have undergone a process of semantic change, imply two meanings: an interjectional idiomatic interpretation — associated with a non-compositional semantic structure— and a phrasal non-idiomatic interpretation — associated with a literal, compositional semantic structure—.

Their polysemy favors misinterpretation and, thus, errors in translation. Example 5 illustrates this double nature.]

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