The Portrait Of Anne Montgomery - amazonia.fiocruz.br

The Portrait Of Anne Montgomery - were visited

The Gallery holds the most extensive collection of portraits in the world. Search over , works, , of which are illustrated from the 16th Century to the present day. Advanced Collection search. Brigid Maas , Producer and Scriptwriter. Joseph Maas , Singer. William Mabane, 1st Baron Mabane , Politician and businessman. The Portrait Of Anne Montgomery

Naomi Slipp. An unusual painting hangs in the densely packed, low-lit galleries of the Alabama Voices exhibition at the Alabama Department of Archives and History in Montgomery.

The painting is flanked by trade goods—glass beads, bottles, and pipes—and reproductions of Creek portraits by John Faber Jr. The selection of artworks and objects in the gallery raise questions about Native self-fashioning, representation, portraiture, and sitter agency.

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Oil on canvas, x 54 in. Alabama Department of Archives and History. Hilis Hadjo, Self-Portrait— On visits to the museum, I have been drawn to the portrait of McIntosh. As a private commission, the work is neither exclusively a portrait of a Creek sitter for a non-Native audience or a self-portrait, although McIntosh used it as a vehicle of self-fashioning.

In this way, it seems to reflect the complex experiences of an Indigenous individual living in early nineteenth-century Alabama and painted just two years after statehood. While the portrait appears in biographies of the sitter and Creek histories as an illustration, I was surprised to find little scholarly mention of the work.

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In this brief object study, I consider how this portrait positions McIntosh as traversing between and acting as an agent for two increasingly hostile factions, the Creek Confederacy and the US government. I also became interested in how its meaning shifted as it changed ownership, signaling familial legacies, racist stereotypes, or romanticized Southern history. How could one portrait—and the individual depicted—be so flexible and subject to such varied and seemingly contradictory meanings? McIntosh and his portrait were variously coopted over their two-hundred-year history.

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Ultimately, this research note reflects on the ways in which portraits function as complex indicators of racial, cultural, and regional identities and histories. It argues that the flexibility of meaning for such Montgomrry lies not only with the https://amazonia.fiocruz.br/scdp/blog/gregorys-punctuation-checker-tool/accounting-standards-and-auditing-techniques.php and the sitter, but is equally shaped by audiences and historians.

William McIntosh c. As the child of a Creek mother and white father, he was uniquely positioned within the social and cultural hierarchies of white, Southern society and Native culture.]