Romantic Love in Margaret Atwoods The Handmaids - amazonia.fiocruz.br

Remarkable, this: Romantic Love in Margaret Atwoods The Handmaids

Romantic Love in Margaret Atwoods The Handmaids Video

As the old adage about books and their covers goes, this assumption could not be further from the truth. While some of the poems in the collection have appeared in previous publications, most are new, and offer the comfort of an established literary voice in a refreshingly new format. The resulting book is a nuanced exploration of what it means to be human in the contemporary world: what we hold dear, what we oLve about, what we should worry about Margardt what we should let go of. The complexity of the collection stems from its healthy balance of simple imagery and heavy themes. One such poem, which transitions from a description of mushrooms to commentary on the destructive nature of mankind, exemplifies this balance. Though the contrast between the mundane and the profound Romantic Love in Margaret Atwoods The Handmaids almost seem contradictory, it simply reflects the cognitive dissonance of trying to find goodness and meaning in the midst of a world that seems empty of everything but disaster.

The collection is divided into five parts, each containing around 10 poems.

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The sections are untitled, and do not always maintain cohesive themes. There does, however, seem to be a widening of scope and subject matter as the reader moves through the book. Often, the poems will start with a deceptive lightness, but will end on a deeply thoughtful note that leaves Romatnic feeling like Atwood has looked into our very soul and left us with exactly what we Romantic Love in Margaret Atwoods The Handmaids to hear. In the first two sections, the focus is on interpersonal relationships, and more specifically on memory, vulnerability, and loss. In a particularly poignant poem about her late mother, Atwood ruminates on the inevitable deterioration of the people we love, positing that to love someone is to be vulnerable to grief. This poem is a lament of several parts that spans eight pages, moving through all the stages of grief but spending most of its time on rage.

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Apart from this poem and one or two others, this book does not present a lot of explicitly gendered commentary. Instead, the collection tends more toward universal experiences.

Instead of describing individual relationships, she meditates on the nature of humanity at large, and the danger we pose to ourselves and the world. She writes about the ethical cost of progress and innovation, how the things we create often only aid in the destruction of ourselves or of our planet.

Not only Lovs Atwood predict our downfall through climate change, but she unflinchingly asks the harrowing questions that many of us are too afraid to:.

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By making this as a rhetorical question, Ro,antic is putting herself in the same boat as the reader: none of us knows the solution, but all of our children will pay the price if we are unable to come up with one. In the final few poems of the book, Atwood markedly shifts from catastrophizing to peacefully accepting her mortality. Given the context of the previous sections, this change feels like a defeat, a resignation to disaster. These poems, in which she talks about her journey through this intensely personal yet universal experience, are the best in the book. Although she hits a stride by Romantic Love in Margaret Atwoods The Handmaids end of the book and leaves us with some truly masterful works of poetry that ask readers to reevaluate tragedy and loss, not every poem in the book is so impactful.

While there are several impactful, stunning poems scattered throughout though concentrated towards the endthe majority of them are simply meditations on human experiences. It felt really good to read a work of literature that tries earnestly to deal with the confusing mess of a world that we live in.

The consistency of grief and tragedy in the 21st century is exhausting and detrimental, and yet, for many of us, life continues on, undeterred.]