Deconstruction Architecture and Digital Technology - amazonia.fiocruz.br

Have faced: Deconstruction Architecture and Digital Technology

Accompanied by a picture of a generic strip mall, the image struck a universal nerve. Locked inside of our houses, the idea of visiting offices, bars, shops, and restaurants conjured a strange nostalgia. Less than a month later, that text inspired the title of an experimental video game. How this "meeting of the minds" will play out Technologu public spaces is of particular concern. According to architects and programmers, our anxieties are not unjustified.

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These types of interactions often feel very impersonal but communication can be expansive," says Noah Waxman, head of strategy at Cactus, a firm working at the crossroads of architecture and software. These types of interactions often feel personal but communication is limited.

According to Waxman, these two worlds of digital and physical public space will soon converge. Cactus has first-hand experience in ushering in this new type of world. Capitalizing on the Deconstruction Architecture and Digital Technology experience economy, the company designed and built The Color Factory, an experiential pop-up exhibit that made appearances in San Francisco, Houston, and New York City in and The exhibit implemented MIRA, an automated photography system designed by Cactus, to take Instagram-worthy pictures of visitors as they frolicked and posed throughout 16 rooms of visually stimulating playgrounds and installations.

MIRA promised guests an opportunity to enjoy the moment, secure in knowing that "they are getting amazing documentation of their experience without having to do it themselves. If it seems that places have ceased existing as they were, it's because they have.

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We come to them through digital maps, we find them through search engines, we revisit them on social media. But in the near future—sooner than we may be ready for it—the places themselves will photograph and document us. Built into the fabric of our cities, AI could turn our urban settings into another social media platform, where user-data is collected, processed, and used to update the real-world environment towards more "engagement," "impressions," and "conversions.

This vision is not new. The idea of autonomous, digitally-powered, intelligent buildings and public spaces has been a long time in the making. InCedric Price, a professor at the department of architecture at Cambridge University, unveiled a radical proposal called GENERATOR, which hypothesized a model for a non-prescriptive architecture, where buildings would not define uses, but instead, adapt in a hyper-flexible and intelligent way to changes in inhabitants' needs.

GENERATOR's movable building modules, implanted with computer chips, could work to house dancers, actors, and visiting artists, and would suggest new Deconstruction Architecture and Digital Technology of space depending on their behavior. At the time, the full potential of Price's model could not be realized because of the limits of computer science. We've been using heuristics and simple sets of mathematical rules to encode instructions and tell the machine how architecture happens, and what rules it should follow in order to draw a building," Chaillou tells me over a Zoom call.

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We've moved from describing what the machine should do to allowing it to observe and learn. Joshua Pearce, a 3D printing pioneer and academic engineer at Michigan Technological University, predicts that the most impactful digital effects on the built environment could emerge by developing an open-source software culture in architecture and Architectuure.

Pearce attributes much of the success of tech giants, such as Google, Facebook, and Amazon, to the abundance of open-source technologies available to programmers, thanks to a culture that prizes the free flow of information ahead of intellectual property or professional gatekeeping. Pearce is a board member of the Open Building Institute, a platform that collects open source plans for low-cost housing and aquaponics greenhouses. He hopes Technoligy library of designs it contains will grow in the future, and that people will one day be able to collaboratively work and expand upon architectural designs in the same way they develop code. County data, and create predictive softwares that might help identify sites that were previously not available for use for ADUs.

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Knowing Deconnstruction ADUs could be built according to recently changed regulations in California could encourage the construction of more housing and help with the densification of suburbs. In their projects, the students used open source data and AI models to assess the economic and zoning feasibility of click here, and 3D printing to overcome site limitations—such as steep lots—to propose efficient ways to deploy ADUs across Los Angeles County. The students' work presented a bright vision for what AI and digital tools could accomplish in the near Deconstruction Architecture and Digital Technology. But when I asked Zeiger whether she was concerned about whether these same digital technologies could invade our public spaces, negatively influencing the creative process of architects, she brought me down to level-ground. A little while later, she quoted Neuromancer author William Gibson: "The future is here but it's not evenly distributed.]