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To many people it's a giant leap forward for womankind. But to others, the historic election of the nation's first female and woman of color to be vice president is a long-overdue step, and a reminder of how much more of the road still lies ahead. New York marketing executive Wendy Salz is one of several women who spoke with NPR four years ago , after Hillary Clinton lost her bid to become the nation's first female president. When this year's race was called for Joe Biden and Kamala Harris, she was so overjoyed, she screamed, sobbed and cheered. How fabulous is that," she exclaimed, a little calmer, but still thrilled, days later. Harris's election, she said "is reinforcing the ability to dream and to achieve in the next coming generations. Her year-old daughter, Moira Johnston, was also thrilled to hear the news. She was jumping up and down at work, high-fiving, crying and sharing champagne with friends.

The Objectification Of Black Women Video

BLACK WOMEN OBJECTIFIED AND OVERSEXUALIZED(No Hate Speech) The Objectification Of Black Women.

In this starkly lit, monochrome scene, a young woman dressed in white pours sparkling water from two vessels onto the ground below.

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Her identity is concealed from view, but we can discern from skin color and hairstyle that she is a Black woman, while her floating white gown lends her an ethereal, ghostly quality. One container is an old The Objectification Of Black Women relic while the other is plastic; these conflicting references collapse together past and present into one.

The ambiguous passage of text below the image, "She saw him disappear by the river, they asked her to tell what happened, only to discount her memory," is taken from a longer passage by the poet Phillis Wheatley, a former slave and the first Black woman to publish a book TThe America. Removed from a wider context it has a strange ambiguity here, hinting at a disturbing narrative involving The Objectification Of Black Women missing man, but also points towards Stereotypes Stereotyping And isolation of this female character, who tries to speak what Simpson calls "her truth," only to be disregarded and ignored.

Art critic Holland Cotter observes of this enigmatic character in the New York Times"Even when she is willing to share herself, it turns out, she is devalued. Later Blacck the s, Simpson focused increasingly on documentation of women, injecting loaded passages of text that open up discussion on issues around discrimination and marginalization.

Simpson often deliberately photographed women from behind in these early career photographs to highlight the horrific dehumanizing objectification of racism, echoed by the strange clinical gowns that adorned all her characters. But Cotter argues there is a certain liberation in leaving these women anonymous, arguing, "Because her face isn't visible, she retains a degree of control. Curator Joan Simon highlights this theatrical staging in Simpson's work arguing it is "built on the juxtaposition of gestures and re-enactments.

In this chilling sequence of photographs six women are lined into a row with eerily similar appearances. Blaci

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But closer inspection reveals small differences between each person; some have their feet positioned differently, while in others their heads Objectiflcation torsos are misaligned, creating The Objectification Of Black Women uneasy dissonance. Simpson's repeat statements relate to the two-pronged attacks inflicted upon Black women, who are marginalized by both their gender and race. On the one hand, this dehumanizing group seen only from behind resembles what art historian Beryl Wright calls, "multiple situations of institutional repression and surveillance, such as slave auctions, hospital examination rooms and criminal line ups. By the late s Simpson was earning international recognition for her biting commentaries on the ongoing racial conflicts in America.

Her work during this period often broke apart women's bodies as seen here, alluding Objectofication the jarring violence inflicted upon Black women. Writer Sofia Retta argues, "Simpson's subtle fragmentation of the photographs speaks to the mutilation of Black women's bodies, from the wounds of beatings and sexual violence during slavery to the ongoing killings at the hands of police. Three images of the same woman bristle against one another, revealing different aspects of her neckline, with glimpses of lips and hair, while the rest of her identity is hidden.]