Dizzy Gelespie John Birks Gillespie - completely
Free shipping. Skip to main content. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. Add to Watchlist. People who viewed this item also viewed. Picture Information. Mouse over to Zoom - Click to enlarge. Have one to sell? Sell now - Have one to sell? Dizzy Gelespie John Birks GillespieThe people of today, raised by the sounds of The Beatles and Pearl Jam have forgotten all about the musicians that paved the way for these artists, and the musical styles that evolved into rock Gelesspie roll, rhythm and blues and rap or hip hop. Dizzy Gelespie John Birks Gillespie the music that once dominated the night clubs, restaurants, and radio stations is now heard only in elevators or when we go to a grandparents house to visit.
What is left of jazz are small portions of the music that people take and sample with in a new song. This was a time period in Jazz called Bebop, Bop or sometimes known as Rebop.
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Dlzzy Bebop got its name from the musical language musicians would speak to one another while trying to explain a rhythm. Gillespie was one of the chief innovators of this new style of music as well as an important figure to all musicians to follow him and international Dizzy Gelespie John Birks Gillespie for the United States. The young prodigy was first introduced to music by his father, a weekend bandleader.
Four years after his fathers death, when Birks was 14, he began learning the trombone and trumpet without any formal instruction. Recognized by the staff at Laurinberg Institute, in North Carolina, as a prodigy, he was given a scholarship to be a member of the band in Throughout his stay at the Laurinberg Institute he studied vigorously both the trumpet and piano, building him self a long road that would constantly pave the way to something valuable, new, and historic Kerfeld, Gillespie did not know that he would become a pioneer in a Duzzy style called Bebop, or that he would become a role model for other musicians that followed.
Like all musicians today, Gillespie studied the works and styles of other performers, and composers. Gillespie admired the style and work of Roy Elridge so much that he started to sound like Elridge. In his studies he would transcribe or learn the notes and phrases that More info would play during his Gillepsie Powis, Dizzy unfortunately was to be later recognized by many for his many distinguishable trademarks instead of the musical proficiency he worked so hard for.
He was famous for his sense of humor. At a performance Dizzy Dizzy Gelespie John Birks Gillespie the audience if he could introduce the band. He than began introducing the saxophone player to the drummer and the trumpet player to the trombonist and so forth Wastrous, January He also expressed his incredible humor within his music as well.
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He sang in the new song these more modern and jest words. I looked Gelexpie Jordan, and what did I see, Come for to carry me home? He was given the nick by one of his earlier band leaders, Teddy Hill, because of his clothing style and loose attitude toward everything Watrous, January 7. Other identifying characteristics were his enormous cheeks which Managment Therory inflate like balloons as he took in air while he playing. Dizzy was also recognizably the only trumpeter ever to have a trumpet with its bell or flaring part, up turned at a 45 degree angle. He discovered this new idea when somebody fell on his trumpet at a party.
He picked it Dizzy Gelespie John Birks Gillespie and tried it, and fell in love with its unique sound Levy, 1. Before the quick pace, explosive sound of Bebop Gillespie had to make a name for him self.
In Philadelphia he played with a big band lead by Frankie Fairfax. From Philadelphia he moved to New York in He was given the position in this band because he sounded like one of his influences, Roy Elridge Kerfeld, Playing with Hills band Gillespie traveled throughout Europe. Duringa time still unequal for blacks and whites, Cab Calloway.
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Gillespie on several occasions got together with Charlie Parker to write and jam around on a few songs. In after hour sessions, the to soon to be legends took old popular pieces and expanded them to new compositions. The melodies were intricate and explosive but were based on the harmonic structures of old songs. The harmonic pattern of these standard changes begins with two chords in each measure.]
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