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It has been eight centuries, to the year, since Pope Honorius III issued an edict to raise money for a new cathedral in the city of Metz. And while it would be years before the first stone was laid, and three centuries until the building was complete, the French city has chosen to celebrate the birthday of a spectacular structure known as "God's Lantern. It is a nickname befitting both of the building's distinctive honey-like glow -- a property of the local limestone -- and an expanse of stained glass that is among the world's largest. Featuring one of the tallest naves in Gothic architecture, Metz Cathedral or to give it its formal name, the Cathedral of Saint Stephen can be considered among the finest examples of medieval church-building. And yet, it is far less famous than similarly-sized contemporaries, namely Cologne Cathedral and Notre Dame in Paris. According to Christoph Brachmann, who specializes in medieval art and architecture at The University of North Carolina at Chapel Hill, this is due to Metz's long history of political wrangling, which saw the city change hands between kingdoms and empires. Lorraine the region Metz is located in moved back and forth, from the 16th century, between France and Germany As a result, the building remains one of Western Europe's better-kept secrets, despite its unique architecture and a history that has seen it survive war, fire and sieges. And for fans of renowned artist Marc Chagall, it is something of a pilgrimage site -- in the late s, the painter joined a centuries-long line of artisans to produce stained glass windows for the church. Even now, the cathedral is evolving, with South Korean artist Kimsooja set to unveil a futuristic window design next year. Stained Glass Illumination Of The Gothic Age.

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Test of Time. Metz Cathedral at The extraordinary art and architecture of 'God's Lantern'. It has been eight centuries, to the year, since Pope Honorius III issued an edict to raise money for a new cathedral in the city of Metz. And while it would be years before the first stone was laid, and three centuries until see more building was complete, the French city has chosen to celebrate the birthday of a spectacular structure known as "God's Lantern. It is a nickname befitting both of the building's distinctive honey-like glow -- a property of the local limestone -- and an expanse of stained glass that is among the world's largest.

Featuring one of the tallest naves in Gothic architecture, Metz Cathedral or to give it its formal name, the Cathedral of Saint Stephen can be considered among the finest examples of medieval church-building.

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The Pantheon: The ancient building still being used after 2, years. And yet, it is far less famous than similarly-sized contemporaries, namely Cologne Cathedral and Notre Dame in Paris.

According to Christoph Stained Glass Illumination Of The Gothic Age, who specializes in medieval art and architecture at The University of North Carolina at Chapel Hill, this is due to Metz's long history of political wrangling, which saw the city change hands between kingdoms and empires.

The tall, narrow nave of Metz Cathedral. Lorraine the region Metz is located in moved back and Imperialism South Africa Essay, from the 16th century, between France and Germany As a result, the building remains one of Western Europe's better-kept secrets, despite its unique architecture and a history that has seen it survive war, fire and sieges.

And for fans of renowned artist Marc Chagall, it is something of a pilgrimage site -- in the late s, the painter joined a centuries-long line of artisans to produce stained glass windows for the church. Even now, the cathedral is evolving, with South Korean artist Kimsooja set to unveil a futuristic window design next year. Gothic architecture: Can the 12th-century style radically change how we build today? Reverence for the past. When the pope issued his decree inMetz was one of the largest and most important commercial hubs in the Holy Roman Empire. With Europe's architectural tastes progressing, the flourishing city would, by the middle of that century, replace many of its buildings with -- or renovate them in the style of -- Gothic ones.

An architectural detail on the church's ornate Gothic exterior.

Three dozen of them have survived to today, albeit "in varying states of preservation," according to Brachmann's research. What ties them together is the use of Jaumont limestone, which can only be quarried from a few hectares of land just outside Metz. With iron oxide giving it click vivid yellow hue, the stone was cut into uniform blocks and, though expensive at the time, used in structures across the city. Metz Cathedral was the most impressive among them.

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But while the church bears many of here hallmarks of Gothic architecture -- flying buttresses, ribbed vaults and an ornate pointed spire -- the design broke with many of the traditions of the time. Its low arcade and the absence of a two-towered western facade are both considered atypical, according to Brachmann. The building's small footprint also means that the church is remarkably narrow and is not orientated along the traditional west-east axis. Some of this Illummination be attributed to the steep hill found on one side.

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But it also appears that the cathedral was designed to preserve structures already on the site, which had been home to religious architecture long before the 13th century. An aerial image of Metz's old town and cathedral. This is evident, Brachmann said, in one of the building's most striking historical quirks: That the unknown architect incorporated an existing church into his design, rather than ordering its demolition and starting from scratch. What happened at Metz was very Thf. The structure's design and color was modified throughout its history. Evolving through the ages. Construction would take another years to complete, which was slow even by medieval standards.]