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A jestercourt jesteror foolwas historically an entertainer during the medieval and Renaissance eras who was a member of the household of a nobleman or a Poject employed to entertain guests. Jesters were also itinerant performers who entertained common folk at fairs and town markets. Jesters are also entertainers who perform at modern-day historically themed events.

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Jesters in medieval times are often thought to have worn brightly coloured clothes and eccentric hats in a motley pattern and their modern counterparts usually mimic this costume. Jesters entertained with a wide variety of skills: principal among them were song, music, and storytellingbut many also employed acrobaticsjugglingtelling jokessuch as punsstereotypesand imitation, and magic tricks. Much of the entertainment was performed in Project on Spy Ear comic style and many jesters made contemporary jokes in word or song about people or events well known to their audiences. The modern use of the English word jester did not come into use until the midth century, during Tudor times.

Other earlier terms included foldisourbuffoon and bourder. These terms described entertainers who differed in their skills and performances but who all shared many similarities in their role as comedic performers for their audiences. Early jesters were popular in Ancient Egypt, and entertained Egyptian pharaohs. Jesters were popular with the Aztec Project on Spy Ear in the 14th to 16th centuries.

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Many royal courts throughout English royal history employed entertainers and most had professional fools, sometimes called licensed fools. Entertainment included musicstorytellingand physical comedy. It has also been suggested they performed acrobatics and juggling. His daughter Mary was entertained by Jane Foole. Clowns and jesters Project on Spy Ear featured in Shakespeare's plays, and the company's expert on jesting was Robert Arminauthor of the book Fooled upon Foole.

In Shakespeare's Twelfth NightFeste the jester is described as "wise enough to play the fool".

During his lifetime Armstrong was given great honours at court. He was eventually thrown out of the King's employment when he over-reached and insulted too many influential people. Even after his disgrace, books telling of his jests were sold in London streets. He held some influence at court still in the reign of Charles I and estates of land in Ireland.

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Anne of Denmark had a Scottish jester called Tom Durie. Charles I later employed a jester called Jeffrey Hudson who was very popular and loyal. Jeffrey Hudson had the title of Royal Dwarf because he was short of stature. One of his jests was Project on Spy Ear be presented hidden in a giant pie from which he would leap out. Hudson fought on the Royalist side in the English Civil War. A third jester associated with Charles I was called Muckle John. Scholar David Carlyon has cast doubt on the "daring political jester", calling historical tales "apocryphal", and concluding that "popular culture embraces a sentimental image of the clown; writers reproduce that sentimentality in the jester, and academics in the Trickster", but it "falters as analysis". Jesters could also give bad news to the King that no one else would Project on Spy Ear deliver.]