Poem Analysis I Can Not Live With - amazonia.fiocruz.br

Poem Analysis I Can Not Live With - share

Forums New posts Advanced search. Log in Register. What's new. New posts. Advanced search. Log in. JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding. Android Analysis. You must log in or register to reply here. Poem Analysis I Can Not Live With

Shapiro embellishes the poem with interesting subtle language and a beautiful, although rather saddening, portrayal of death throughout the poem. While this is poetry, the author still incorporates elements of literature that apply to both narrative and poetry.

Navigation menu

As Shapiro weaves a word web, he uses several dominant elements to ensure that his point is conveyed to the audience. Through imagery, personification and sound work, Shapiro envisions all aspects of an automobile wreck from a voyeuristic perspective, ultimately removing the comfort of distance to create an all-encompassing victim. This direct correlation between the use of graphic source and the bystander or the reader is what creates a situation that is Withh of comfort and serenity, a situation that no one can escape; voyeurs by extension. While Shapiro uses imagery to paint a picture in our minds, he uses the element of personification in a way that is not normally seen. The echo of the beating bell and heartbeats once again negates the comfort that standing at a distance provides.

While rhyme is not a hallmark of this poem, Shapiro uses this opportunity to illustrate another image in our minds with the internal rhyming of bell and shells, planting seeds of imagery in our minds. Wrapping around iron poles, the cars come alive as the occupants, like the locusts, transcend their iron prison. Lvie

Explore Animals

Unlike the locusts that fly away to safety, the iLve does not have the ease of ability to remove himself from this situation of danger and death. More info cacophony ornaments the poem with character and embellishment to further the purpose of involving the bystanders in the atrocity that is the auto wreck. While the first line of the poem is full of imagery, it is also full of alliterations.

The melodious use of alliterations move us into the body of the poem where we become numb to the situation, to the point where we, the onlookers, cannot distance ourselves from this startling type of death. This, the volta of the poem, is set off by the strategic use of questions and shortened line length. Shapiro could be using this poem to question how death chooses its victims and the randomness of a car wreck.

While the deaths that come from automobile wrecks are here random, a secondary type of death is experienced that not many people know about. The victimization of the on looking bystander almost always occurs. By stripping the level of comfort from the bystander he, like the victim himself, grows to be just as defenseless.

Personification also facilitates the case of dual victimization as it makes the death of a car wreck more personal and human, removing the comfort level of being a bystander. Shapiro, Karl. Edgar V. New Jersey: Prentice Hall, Anonymous comments are disabled in this journal. Your IP address will be recorded.]