Helen of Troy Does Countertop Dancing - amazonia.fiocruz.br

Helen of Troy Does Countertop Dancing Video

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However, throughout the years, the representation of women has changed considerably—in the past, women were mainly represented as housewives or governesses and later on, they are Triy as women who can have careers, authority and power. This is perhaps due to the fact that women have fought for their rights and demanded equality—creating the feminism movement and their cause of wanting women empowerment.

Women writers have used the power of the pen in letting their anger, contempt and disgust out into the open with regard to the way women are being treated. As such, Margaret Atwood is of no exemption to this fact and which is the whole point of this essay. It is safe to assume that many of her works reflect feministic themes, but not all of them do contain such themes.

This Helen is living in the modern setting and who has a profession of countertop dancing—which could be plainly translated to girls who work in bars, dancing to the fancy of men and sometimes, of women who pay so they can see the glorious bodies of the girls move to the music. Determining who the persona of the poem is is imperative in understanding the poem and the themes contained in it. As what the thesis statement of the introduction states, this poem contains feminism themes Helen of Troy Does Countertop Dancing regard to three things mainly: the female as seen as other females, the female as seen by the males and the female as she sees herself. The first stanza of the poem already shows how other women look at the Helen of Troy which was portrayed in the poem. The unfortunate part here is that the opinion and conviction of women are actually created for them and they are just left to accept those pre-created conclusions.

The next stanzas in the poem are full of apparent malice by the persona with regard to how her customers watch her when she dances.

Top 10 most used topics by Margaret Atwood

Link the person dances, she is reduced to the judgments of the onlookers, and this is where she is most disgusted—not with herself but with the men who are before her and watching her exquisite body sway to the beat of the music. The last and third stanza of the poem contains the most hurtful words that the persona is feeling; this is where she bares her thoughts, real feelings and emotions to the addressee the readers.

These words, in turn, become a mockery to her existence as a female:. The rest of them would like Helen of Troy Does Countertop Dancing watch me and feel nothing. Reduce me to components as in a clock factory Dancng abattoir. Crush out the mystery.]